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I think I'm a little more daunted by when the machinery of the play is really huge.

Adam Rapp

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Adam Rapp
Age: 56
Born: 1968
Born: June 15
Film Director
Novelist
Joliet
Illinois
Really
Think
Thinking
Daunted
Machinery
Huge
Littles
Little
Play

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You have to escape to survive, as you must survive to escape.
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I think because my brother was an actor and I just saw how he struggled through, I guess I'm sensitive to it.
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Fifteen years ago I killed my sister.
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I feel that I'd rather know an actors' work, or have an instinct about them and sit down and have coffee with them, or I'll see them in something and I'll see if I can get along with them in some way, shape, or form.
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What I've learned in the last few years is that I am merely a storyteller.
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The rooms I tend to be in are pretty democratic and the best idea wins.
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Whenever I've been in rehearsals, it's really fun, there's always laughing.
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I think auditioning can be very reductive and I just hate how actors work really hard and most of them aren't going to get the job, and I hate putting them through that.
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I don't like the sort of hierarchical, totalitarian type of room a lot of directors can find themselves in.
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I think, for me, when I direct my own work it's just an extension of the authorship.
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I dont see a lot of movies that portray the East Village as well as I think they can.
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When I'm directing, I'm pretty much not writing, but when I'm not directing I am writing a lot.
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When it's just a few scenes and a couple of actors behaving in a room, I feel very confident with that.
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I've never really felt good at the parties, but I have enough friends now that I feel social, I used to feel very antisocial, but I think the theater helps.
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I imagine a soul is a little perfect crystal egg floating in your chest. Somewhere deeper than where they put your heart. Somewhere so deep inside that the doctors can't find it with all their machines and microcameras.
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