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I think I'm a little more daunted by when the machinery of the play is really huge.

Adam Rapp

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Adam Rapp
Age: 56
Born: 1968
Born: June 15
Film Director
Novelist
Joliet
Illinois
Huge
Littles
Little
Play
Really
Think
Thinking
Daunted
Machinery

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You have to escape to survive, as you must survive to escape.
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In Chekhov, when people leave, a carriage is taking them away forever. The stakes are so high just for someone to make a simple exit. And now we have all this access to public transportation, automobiles and jets and the Internet we're so easily distracted, but the world is still designed to destroy you. It just happens quicker and faster now.
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We only have so much time.... Time will kill you – it really will.
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One of the tricks to writing great plays is to get people in a room together and not let them leave. You want the tension to escalate. Keeping them there is the hardest part, so you have to take away any excuse for them to leave.
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I find auditioning to be a very illusive process, where actors come in with this really big result with no process, so it's a lie already at work.
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I don't like the sort of hierarchical, totalitarian type of room a lot of directors can find themselves in.
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I would hope that the staffs at juvenile detention centers and reform schools are carefully chosen so that there is a community of support and hope.
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I've never really felt that I've had the right hair cut, or had the right clothes.
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I've been living in Portland for five months and I'm not sure how I feel about it. I probably won't really know for years because that's how it works right? You don't really develop feelings about a place till you've left it. It's like a girl or a dog.
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I began stealing a lot of ideas from other directors I had worked with.
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What I've learned in the last few years is that I am merely a storyteller.
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I feel that I am just a storyteller, and whether I am wearing the director hat or the playwright hat, it doesn't matter.
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I think because my brother was an actor and I just saw how he struggled through, I guess I'm sensitive to it.
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I don't mind him not talking so much, because you can hear his voice in your heart the same way you can hear a song in your head even if there isn't a radio playing the same way you can hear those blackbirds flying when they're not in the sky
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I had a sort of bad experiences as a playwright early on, when directors were putting in huge concepts that I didn't intend, or they were stylizing something that was compromising the play, so I started to think like, well if I'm going to fight against this, I should learn how to direct.
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Man, that's the only kind of book I like – one that's so real you want to find out everything there is to know about the person who wrote it, like how tall he is and what kind of music he likes and whether or not he really went through all the stuff he was writing about.
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I dont see a lot of movies that portray the East Village as well as I think they can.
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Fifteen years ago I killed my sister.
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You can't run forever. There's only so much pavement that the road makers lay down. After a while, the highway quits going north and it just turns into sky. And you can't go anywhere in the sky unless you have a plane or some kind of rocket.
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A typical day for me is I'm writing when I'm not directing.
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