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I think, for me, when I direct my own work it's just an extension of the authorship.

Adam Rapp

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Adam Rapp
Age: 56
Born: 1968
Born: June 15
Film Director
Novelist
Joliet
Illinois
Extension
Extensions
Direct
Work
Think
Thinking
Authorship

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I grew up eating hamburger helper, macaroni and cheese, and drinking lots of milk, and looked at lots of cows but I feel like a New Yorker now, I've lived here for sixteen years.
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I just love working with actors, and I love working with writers, working with designers.
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It was like losing an important weight-bearing bone, and I knew I would spend the rest of my life trying to figure out how to walk the streets without it.
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When it's just a few scenes and a couple of actors behaving in a room, I feel very confident with that.
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When I am directing, it is much, much, much, much, much different. I'm a much more practical person in the world, I show up on time, I am very rigorous about scheduling, and I am very focused. But when I'm writing I am just a big, irresponsible mess and I'm just impossible to get in touch with, and I don't spend time with friends.
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I find that more and more I'm trying to entertain myself when I'm working, because I know the work's going to go to a horrible place.
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Sometimes when I'm directing, the stage manager will have a good idea and that's okay with me.
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I've never really felt good at the parties, but I have enough friends now that I feel social, I used to feel very antisocial, but I think the theater helps.
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Man, that's the only kind of book I like – one that's so real you want to find out everything there is to know about the person who wrote it, like how tall he is and what kind of music he likes and whether or not he really went through all the stuff he was writing about.
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When I kicked in the first TV – a nineteen-inch Magnavox with wicker speaker panels – it felt like the most perfect thing I had done in a long time. And there's nothing like the feeling of perfection that will inspire repeated behavior.
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In Chekhov, when people leave, a carriage is taking them away forever. The stakes are so high just for someone to make a simple exit. And now we have all this access to public transportation, automobiles and jets and the Internet we're so easily distracted, but the world is still designed to destroy you. It just happens quicker and faster now.
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I think because my brother was an actor and I just saw how he struggled through, I guess I'm sensitive to it.
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I dont see a lot of movies that portray the East Village as well as I think they can.
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You can always count on the New York Times to cut your legs off.
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It's strange, people have asked me what my schedule is and what is my process like, and I can't even answer it.
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I've been living in Portland for five months and I'm not sure how I feel about it. I probably won't really know for years because that's how it works right? You don't really develop feelings about a place till you've left it. It's like a girl or a dog.
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Whenever I've been in rehearsals, it's really fun, there's always laughing.
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A typical day for me is I'm writing when I'm not directing.
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I think auditioning can be very reductive and I just hate how actors work really hard and most of them aren't going to get the job, and I hate putting them through that.
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We only have so much time.... Time will kill you – it really will.
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