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I grew up eating hamburger helper, macaroni and cheese, and drinking lots of milk, and looked at lots of cows but I feel like a New Yorker now, I've lived here for sixteen years.
Adam Rapp
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Adam Rapp
Age: 56
Born: 1968
Born: June 15
Film Director
Novelist
Joliet
Illinois
Eating
Hamburgers
Lived
Sixteen
Grew
Cows
Feel
Cheese
Helper
Feels
Milk
Macaroni
Years
Lots
Hamburger
Like
Drinking
Helpers
Looked
Yorker
More quotes by Adam Rapp
I don't mind him not talking so much, because you can hear his voice in your heart the same way you can hear a song in your head even if there isn't a radio playing the same way you can hear those blackbirds flying when they're not in the sky
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We only have so much time.... Time will kill you it really will.
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My life has been in shambles, like my personal relationships, my laundry, paying bills now I have someone who pays my bills and it's always been a challenge because it overwhelms me.
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Fifteen years ago I killed my sister.
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What I've learned in the last few years is that I am merely a storyteller.
Adam Rapp
I think, for me, when I direct my own work it's just an extension of the authorship.
Adam Rapp
I feel that I am just a storyteller, and whether I am wearing the director hat or the playwright hat, it doesn't matter.
Adam Rapp
Sometimes when I'm directing, the stage manager will have a good idea and that's okay with me.
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I think I'm a little more daunted by when the machinery of the play is really huge.
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I've never really felt that I've had the right hair cut, or had the right clothes.
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I don't like the sort of hierarchical, totalitarian type of room a lot of directors can find themselves in.
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It's strange, people have asked me what my schedule is and what is my process like, and I can't even answer it.
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You can't run forever. There's only so much pavement that the road makers lay down. After a while, the highway quits going north and it just turns into sky. And you can't go anywhere in the sky unless you have a plane or some kind of rocket.
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I don't put big concepts on my work, and it's all often about keeping actors in a room together and not letting them leave.
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I find that more and more I'm trying to entertain myself when I'm working, because I know the work's going to go to a horrible place.
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It was like losing an important weight-bearing bone, and I knew I would spend the rest of my life trying to figure out how to walk the streets without it.
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I dont see a lot of movies that portray the East Village as well as I think they can.
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When I am directing, it is much, much, much, much, much different. I'm a much more practical person in the world, I show up on time, I am very rigorous about scheduling, and I am very focused. But when I'm writing I am just a big, irresponsible mess and I'm just impossible to get in touch with, and I don't spend time with friends.
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When I'm directing, I'm pretty much not writing, but when I'm not directing I am writing a lot.
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One of the tricks to writing great plays is to get people in a room together and not let them leave. You want the tension to escalate. Keeping them there is the hardest part, so you have to take away any excuse for them to leave.
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