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Whenever I've been in rehearsals, it's really fun, there's always laughing.

Adam Rapp

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Adam Rapp
Age: 56
Born: 1968
Born: June 15
Film Director
Novelist
Joliet
Illinois
Fun
Really
Always
Rehearsals
Rehearsal
Whenever
Laughing

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When it's just a few scenes and a couple of actors behaving in a room, I feel very confident with that.
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I imagine a soul is a little perfect crystal egg floating in your chest. Somewhere deeper than where they put your heart. Somewhere so deep inside that the doctors can't find it with all their machines and microcameras.
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It's strange, people have asked me what my schedule is and what is my process like, and I can't even answer it.
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I suffer from and enjoy an incredibly vivid dream life. A lot of times there is a sort-of narrative and other times they are just funhouses of non-linear imagery and other scary stuff.
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I think because my brother was an actor and I just saw how he struggled through, I guess I'm sensitive to it.
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I dont see a lot of movies that portray the East Village as well as I think they can.
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I've never really felt that I've had the right hair cut, or had the right clothes.
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I just love working with actors, and I love working with writers, working with designers.
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I would hope that the staffs at juvenile detention centers and reform schools are carefully chosen so that there is a community of support and hope.
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I've been living in Portland for five months and I'm not sure how I feel about it. I probably won't really know for years because that's how it works right? You don't really develop feelings about a place till you've left it. It's like a girl or a dog.
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When I'm directing, I'm pretty much not writing, but when I'm not directing I am writing a lot.
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I think auditioning can be very reductive and I just hate how actors work really hard and most of them aren't going to get the job, and I hate putting them through that.
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I've never really felt good at the parties, but I have enough friends now that I feel social, I used to feel very antisocial, but I think the theater helps.
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Man, that's the only kind of book I like – one that's so real you want to find out everything there is to know about the person who wrote it, like how tall he is and what kind of music he likes and whether or not he really went through all the stuff he was writing about.
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Sometimes when I'm directing, the stage manager will have a good idea and that's okay with me.
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I had a sort of bad experiences as a playwright early on, when directors were putting in huge concepts that I didn't intend, or they were stylizing something that was compromising the play, so I started to think like, well if I'm going to fight against this, I should learn how to direct.
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My work is always more emotional than I am. My characters say things to each other that I get accused of not being able to say to my girlfriend.
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I don't like the sort of hierarchical, totalitarian type of room a lot of directors can find themselves in.
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The rooms I tend to be in are pretty democratic and the best idea wins.
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