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I would hope that the staffs at juvenile detention centers and reform schools are carefully chosen so that there is a community of support and hope.
Adam Rapp
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Adam Rapp
Age: 56
Born: 1968
Born: June 15
Film Director
Novelist
Joliet
Illinois
School
Centers
Would
Carefully
Schools
Reform
Chosen
Support
Staffs
Community
Detention
Hope
Juvenile
More quotes by Adam Rapp
I find that more and more I'm trying to entertain myself when I'm working, because I know the work's going to go to a horrible place.
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My life has been in shambles, like my personal relationships, my laundry, paying bills now I have someone who pays my bills and it's always been a challenge because it overwhelms me.
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I had a sort of bad experiences as a playwright early on, when directors were putting in huge concepts that I didn't intend, or they were stylizing something that was compromising the play, so I started to think like, well if I'm going to fight against this, I should learn how to direct.
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It was like losing an important weight-bearing bone, and I knew I would spend the rest of my life trying to figure out how to walk the streets without it.
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My work is always more emotional than I am. My characters say things to each other that I get accused of not being able to say to my girlfriend.
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We only have so much time.... Time will kill you it really will.
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It's strange, people have asked me what my schedule is and what is my process like, and I can't even answer it.
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I've been living in Portland for five months and I'm not sure how I feel about it. I probably won't really know for years because that's how it works right? You don't really develop feelings about a place till you've left it. It's like a girl or a dog.
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What I've learned in the last few years is that I am merely a storyteller.
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You can't run forever. There's only so much pavement that the road makers lay down. After a while, the highway quits going north and it just turns into sky. And you can't go anywhere in the sky unless you have a plane or some kind of rocket.
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You can always count on the New York Times to cut your legs off.
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I don't like the sort of hierarchical, totalitarian type of room a lot of directors can find themselves in.
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Fifteen years ago I killed my sister.
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One of the tricks to writing great plays is to get people in a room together and not let them leave. You want the tension to escalate. Keeping them there is the hardest part, so you have to take away any excuse for them to leave.
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I've never really felt good at the parties, but I have enough friends now that I feel social, I used to feel very antisocial, but I think the theater helps.
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I think, for me, when I direct my own work it's just an extension of the authorship.
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I think because my brother was an actor and I just saw how he struggled through, I guess I'm sensitive to it.
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When I am directing, it is much, much, much, much, much different. I'm a much more practical person in the world, I show up on time, I am very rigorous about scheduling, and I am very focused. But when I'm writing I am just a big, irresponsible mess and I'm just impossible to get in touch with, and I don't spend time with friends.
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I suffer from and enjoy an incredibly vivid dream life. A lot of times there is a sort-of narrative and other times they are just funhouses of non-linear imagery and other scary stuff.
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In Chekhov, when people leave, a carriage is taking them away forever. The stakes are so high just for someone to make a simple exit. And now we have all this access to public transportation, automobiles and jets and the Internet we're so easily distracted, but the world is still designed to destroy you. It just happens quicker and faster now.
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