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One of the tricks to writing great plays is to get people in a room together and not let them leave. You want the tension to escalate. Keeping them there is the hardest part, so you have to take away any excuse for them to leave.

Adam Rapp

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Adam Rapp
Age: 56
Born: 1968
Born: June 15
Film Director
Novelist
Joliet
Illinois
Together
Keeping
Play
Excuse
Take
Hardest
Great
Room
Writing
Rooms
Escalate
People
Leave
Tension
Away
Tricks
Part
Plays

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We only have so much time.... Time will kill you – it really will.
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I think, for me, when I direct my own work it's just an extension of the authorship.
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You can always count on the New York Times to cut your legs off.
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You have to escape to survive, as you must survive to escape.
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I think auditioning can be very reductive and I just hate how actors work really hard and most of them aren't going to get the job, and I hate putting them through that.
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When it's just a few scenes and a couple of actors behaving in a room, I feel very confident with that.
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The rooms I tend to be in are pretty democratic and the best idea wins.
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I think there is a complicated side effect to overcoming evil in that we are forever changed by it. I think after we ingest some of the cruelty of the world, it takes years off of our lives, but it also gives us wisdom and a little grace, hopefully a sense of compassion.
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Man, that's the only kind of book I like – one that's so real you want to find out everything there is to know about the person who wrote it, like how tall he is and what kind of music he likes and whether or not he really went through all the stuff he was writing about.
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Sometimes when I'm directing, the stage manager will have a good idea and that's okay with me.
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What I've learned in the last few years is that I am merely a storyteller.
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My life has been in shambles, like my personal relationships, my laundry, paying bills now I have someone who pays my bills and it's always been a challenge because it overwhelms me.
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When I kicked in the first TV – a nineteen-inch Magnavox with wicker speaker panels – it felt like the most perfect thing I had done in a long time. And there's nothing like the feeling of perfection that will inspire repeated behavior.
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I suffer from and enjoy an incredibly vivid dream life. A lot of times there is a sort-of narrative and other times they are just funhouses of non-linear imagery and other scary stuff.
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I try not to write more than two or three, I try to just write one if possible, I write till the end at least a draft of a play or a novel but sometimes, I'll take a break for a couple weeks for a project that is paying me money like a television project which I try to stay away from just to stay financially ahead of the game.
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I don't put big concepts on my work, and it's all often about keeping actors in a room together and not letting them leave.
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I've never really felt good at the parties, but I have enough friends now that I feel social, I used to feel very antisocial, but I think the theater helps.
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It was like losing an important weight-bearing bone, and I knew I would spend the rest of my life trying to figure out how to walk the streets without it.
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I began stealing a lot of ideas from other directors I had worked with.
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