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I suffer from and enjoy an incredibly vivid dream life. A lot of times there is a sort-of narrative and other times they are just funhouses of non-linear imagery and other scary stuff.

Adam Rapp

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Adam Rapp
Age: 56
Born: 1968
Born: June 15
Film Director
Novelist
Joliet
Illinois
Sort
Suffering
Linear
Times
Imagery
Enjoy
Vivid
Stuff
Incredibly
Dream
Narrative
Life
Suffer
Scary

More quotes by Adam Rapp

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I think because my brother was an actor and I just saw how he struggled through, I guess I'm sensitive to it.
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When it's just a few scenes and a couple of actors behaving in a room, I feel very confident with that.
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There must be some unwritten law that says about fifty people have to move into your house when somebody dies. If it weren't for the smell of death clinging to the walls, you might think it was your family's turn to host the month neighborhood potluck supper.
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What I've learned in the last few years is that I am merely a storyteller.
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In Chekhov, when people leave, a carriage is taking them away forever. The stakes are so high just for someone to make a simple exit. And now we have all this access to public transportation, automobiles and jets and the Internet we're so easily distracted, but the world is still designed to destroy you. It just happens quicker and faster now.
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I think I'm a little more daunted by when the machinery of the play is really huge.
Adam Rapp
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Man, that's the only kind of book I like – one that's so real you want to find out everything there is to know about the person who wrote it, like how tall he is and what kind of music he likes and whether or not he really went through all the stuff he was writing about.
Adam Rapp
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I began stealing a lot of ideas from other directors I had worked with.
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I've never really felt that I've had the right hair cut, or had the right clothes.
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I think there is a complicated side effect to overcoming evil in that we are forever changed by it. I think after we ingest some of the cruelty of the world, it takes years off of our lives, but it also gives us wisdom and a little grace, hopefully a sense of compassion.
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I don't put big concepts on my work, and it's all often about keeping actors in a room together and not letting them leave.
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I feel that I am just a storyteller, and whether I am wearing the director hat or the playwright hat, it doesn't matter.
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I had a sort of bad experiences as a playwright early on, when directors were putting in huge concepts that I didn't intend, or they were stylizing something that was compromising the play, so I started to think like, well if I'm going to fight against this, I should learn how to direct.
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Sometimes when I'm directing, the stage manager will have a good idea and that's okay with me.
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I feel that I'd rather know an actors' work, or have an instinct about them and sit down and have coffee with them, or I'll see them in something and I'll see if I can get along with them in some way, shape, or form.
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It's strange, people have asked me what my schedule is and what is my process like, and I can't even answer it.
Adam Rapp
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The rooms I tend to be in are pretty democratic and the best idea wins.
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I think auditioning can be very reductive and I just hate how actors work really hard and most of them aren't going to get the job, and I hate putting them through that.
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When I'm directing, I'm pretty much not writing, but when I'm not directing I am writing a lot.
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One of the tricks to writing great plays is to get people in a room together and not let them leave. You want the tension to escalate. Keeping them there is the hardest part, so you have to take away any excuse for them to leave.
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