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Fifteen years ago I killed my sister.

Adam Rapp

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Adam Rapp
Age: 56
Born: 1968
Born: June 15
Film Director
Novelist
Joliet
Illinois
Fifteen
Sister
Killed
Years

More quotes by Adam Rapp

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I dont see a lot of movies that portray the East Village as well as I think they can.
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The rooms I tend to be in are pretty democratic and the best idea wins.
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I find auditioning to be a very illusive process, where actors come in with this really big result with no process, so it's a lie already at work.
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I imagine a soul is a little perfect crystal egg floating in your chest. Somewhere deeper than where they put your heart. Somewhere so deep inside that the doctors can't find it with all their machines and microcameras.
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When I kicked in the first TV – a nineteen-inch Magnavox with wicker speaker panels – it felt like the most perfect thing I had done in a long time. And there's nothing like the feeling of perfection that will inspire repeated behavior.
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I grew up eating hamburger helper, macaroni and cheese, and drinking lots of milk, and looked at lots of cows but I feel like a New Yorker now, I've lived here for sixteen years.
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You have to escape to survive, as you must survive to escape.
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When it's just a few scenes and a couple of actors behaving in a room, I feel very confident with that.
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A typical day for me is I'm writing when I'm not directing.
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I had a sort of bad experiences as a playwright early on, when directors were putting in huge concepts that I didn't intend, or they were stylizing something that was compromising the play, so I started to think like, well if I'm going to fight against this, I should learn how to direct.
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You can always count on the New York Times to cut your legs off.
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I don't put big concepts on my work, and it's all often about keeping actors in a room together and not letting them leave.
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It's strange, people have asked me what my schedule is and what is my process like, and I can't even answer it.
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I find that more and more I'm trying to entertain myself when I'm working, because I know the work's going to go to a horrible place.
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When I am directing, it is much, much, much, much, much different. I'm a much more practical person in the world, I show up on time, I am very rigorous about scheduling, and I am very focused. But when I'm writing I am just a big, irresponsible mess and I'm just impossible to get in touch with, and I don't spend time with friends.
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I think, for me, when I direct my own work it's just an extension of the authorship.
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I've been living in Portland for five months and I'm not sure how I feel about it. I probably won't really know for years because that's how it works right? You don't really develop feelings about a place till you've left it. It's like a girl or a dog.
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I feel that I am just a storyteller, and whether I am wearing the director hat or the playwright hat, it doesn't matter.
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I began stealing a lot of ideas from other directors I had worked with.
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I try not to write more than two or three, I try to just write one if possible, I write till the end at least a draft of a play or a novel but sometimes, I'll take a break for a couple weeks for a project that is paying me money like a television project which I try to stay away from just to stay financially ahead of the game.
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