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Fifteen years ago I killed my sister.
Adam Rapp
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Adam Rapp
Age: 56
Born: 1968
Born: June 15
Film Director
Novelist
Joliet
Illinois
Fifteen
Sister
Killed
Years
More quotes by Adam Rapp
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The rooms I tend to be in are pretty democratic and the best idea wins.
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I began stealing a lot of ideas from other directors I had worked with.
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It was like losing an important weight-bearing bone, and I knew I would spend the rest of my life trying to figure out how to walk the streets without it.
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I don't mind him not talking so much, because you can hear his voice in your heart the same way you can hear a song in your head even if there isn't a radio playing the same way you can hear those blackbirds flying when they're not in the sky
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I find that more and more I'm trying to entertain myself when I'm working, because I know the work's going to go to a horrible place.
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It's strange, people have asked me what my schedule is and what is my process like, and I can't even answer it.
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I just love working with actors, and I love working with writers, working with designers.
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My work is always more emotional than I am. My characters say things to each other that I get accused of not being able to say to my girlfriend.
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Sometimes when I'm directing, the stage manager will have a good idea and that's okay with me.
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I think because my brother was an actor and I just saw how he struggled through, I guess I'm sensitive to it.
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I think, for me, when I direct my own work it's just an extension of the authorship.
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I think auditioning can be very reductive and I just hate how actors work really hard and most of them aren't going to get the job, and I hate putting them through that.
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I would hope that the staffs at juvenile detention centers and reform schools are carefully chosen so that there is a community of support and hope.
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I don't like the sort of hierarchical, totalitarian type of room a lot of directors can find themselves in.
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I've never really felt that I've had the right hair cut, or had the right clothes.
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There must be some unwritten law that says about fifty people have to move into your house when somebody dies. If it weren't for the smell of death clinging to the walls, you might think it was your family's turn to host the month neighborhood potluck supper.
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I feel that I'd rather know an actors' work, or have an instinct about them and sit down and have coffee with them, or I'll see them in something and I'll see if I can get along with them in some way, shape, or form.
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I suffer from and enjoy an incredibly vivid dream life. A lot of times there is a sort-of narrative and other times they are just funhouses of non-linear imagery and other scary stuff.
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I think I'm a little more daunted by when the machinery of the play is really huge.
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