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I am surprised by the word psychedelic. João Gilberto Noll does not accept realism in a straightforward way, but I am more inclined to call Quiet Creature a realist text than I am to call it a psychedelic one. The transcendent aspect of the psychedelic experience is totally absent.

Adam Morris

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Adam Morris
Age: 60
Born: 1964
Born: November 4
Actor
Television Actor
Stratford-upon-Avon
Warwickshire
Adam Morris
Quiet
Absent
Accepting
Realism
Call
Text
Noll
Word
Creature
Realist
Experience
Surprised
Transcendent
Totally
Psychedelic
Aspect
Inclined
Accept
Straightforward

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This makes his writing very pleasing to read: João Gilberto Noll pays attention to detail, but only to certain details. And it's never easy to foresee which details will send the narrator or the plot in an unsuspected direction.
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This neglect of a very important Brazilian writer is, in my view, the result of Brazil's relative isolation from what metropolitan tastemakers. If João Gilberto Noll were writing in French or German or even Russian, it's likely he'd be more broadly translated.
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Dreamlike sequencing is perhaps one of João Gilberto Noll's most remarkable triumphs in Quiet Creature on the Corner. I translated the novel and still it remains a mystery as to how exactly how this works. Noll thinks more like an experimental filmmaker than a novelist.
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I only translate authors whose work already interests me as a reader, and that's a decision I make based on multiple encounters with an author's work.
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I am not one of those translators who think that working closely with the writer will yield the best translation.
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