Quote

The light, the sky, the water, they were all things you looked *through* during the day. At night, they were things you looked *into*. You looked *into* the stars, you looked *into* dark rollers and the surprising platinum flash of their caps.

Adam Johnson

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Adam Johnson
Age: 57
Born: 1967
Born: July 12
Academic
Novelist
University Teacher
Writer
South Dakota
United States
Stars
Dark
Rollers
Water
Platinum
Night
Caps
Light
Flash
Things
Surprising
Sky
Looked

More quotes by Adam Johnson

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What good's a captive without her captor?
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The urge to create a fictional narrative is a mysterious one, and when an idea comes, the writer's sense of what a story wants to be is only vaguely visible through the penumbra of inspiration.
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In my experience, ghosts are made up only of the living, people you know are out there but are forever out of range
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A name isn't a person. Ga said. Don't ever remember someone by their name. To keep someone alive, you put them inside you, you put their face on your heart. Then, no matter where you are, they're always with you because they're a part of you.
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In America, the stories we tell ourselves and we tell each other in fiction have to do with individualism. Every person here is the center of his or her own story. And our job as people and as characters is to find our own motivations and desires, to overcome conflicts and obstacles toward defining ourselves so that we grow and change.
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Imagine a world in which no writer has written a literary novel in sixty years. Imagine a place where not a single person has read a book that is truly about the character at its center.
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For an entire populace, change, growth, and spontaneity were dangerous. Acting upon a personal desire, whispering a hidden longing, revealing your true feelings - all the human actions we think of as essential to a character - had be censored by the self lest they be punished by the state.
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I know it really sounds cheesy, but I did feel a duty to try to tell the stories of people who couldn't speak for themselves.
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A good story feels both surprising and inevitable, fresh and familiar.
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I thought that, with so much current attention focused on the topic of North Korea, I might share what I think are three books which cast a rare light on the elusive realm of North Korea.
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Writing is hard work, and if anything's true about the process, it's that fact that a good story is hard to find and even trickier to get on paper. What's less romantic than staring alone at a blank screen? And edgy? I've changed the cat little because I didn't know what my characters were going to say next.
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Had she never been hungry enough to eat a flower? Did she not know that you could eat daisies, daylilies, pansies, and marigolds? That hungry enough, a person could consume the bright faces of violas, even the stems of dandelions and the bitter hips of roses?
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. . . nobody every taught you loyalty . . .
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[I]n communism, you'd threaten a dog into compliance, while in capitalism, obedience is obtained through bribes.
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Orphans are the only ones who get to choose their fathers, and they love them twice as much.
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I am a champion standing over the shadow of my former self.
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I'd known that the visit would be highly scripted and that genuine interactions with citizens wouldn't be possible, since it's illegal for them to speak with foreigners. Still, I'd thought I'd had a unique look at North Korea, only to discover I was wrong.
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But, in North Korea, it's just the opposite. There's one story. It's written by the Kim regime. And 23 million people are conscripted to be secondary characters. There, as a youth, your aptitude towards certain jobs is measured, and the rest of your life is dictated, whether you'll be a fisherman or a farmer or an opera singer.
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Use your imagination only on the future, never on the present or the past.
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All the lessons you need to learn in life, he said, will be taught to you by your enemy.
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