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I think it's possible to be free in a big production. It's the eye of the director and the actor and the story.
Adam Driver
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Adam Driver
Age: 40
Born: 1983
Born: November 19
Actor
Film Actor
Stage Actor
Television Actor
San Diego
California
Adam Douglas Driver
Story
Actors
Free
Production
Eye
Productions
Bigs
Director
Stories
Directors
Think
Actor
Thinking
Possible
More quotes by Adam Driver
I have a control problem. I hate the feeling of not being in control.
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I mean, I did plays in high school, but I was convinced you couldn't make a living doing it.
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I always found something strangely paternal about the director-actor relationship. Actors want so much approval.
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It's hard to kill that father-son bond.
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At the end of whatever we're doing, I always feel like I want to go back and start over again because now I have a better sense of what it is. I feel that with everything. Like, if you're doing like a long run of a play and you're doing it seven shows a week, at the end of it, I want to go back and start from the beginning.
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I loved being in the Marine Corps, I loved my job in the Marine Corps, and I loved the people I served with. It's one of the best things I've had a chance to do.
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Emphasis in the Marine Corps isn't on talking about your feelings.
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Yeah, September 11 happened and all my friends were like, 'Let's join the military!' and I was the only one who actually did.
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I'm conflicted with theater in the city because you want to reach a diverse audience, and that audience doesn't typically go to the theater.
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If I'm not doing something or working on something, I literally just sit in the room and think, which I don't think is productive. I won't go outside for days.
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It was very clear to me I wanted to be an actor when I got out into civilian life.
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For me, becoming a man had a lot to do with learning communication, and I learned about that by acting.
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I was born in California. When I was six, we moved to a small town in northern Indiana called Mishawaka.
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What is important is to maintain integrity of the story, of the character, of the movie, even if it's a big production.
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Something I learned in the Marine Corps that I've applied to acting is, one, taking direction, and then working with a group of people to accomplish a mission and knowing your role within that team.
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In the military, you learn the essence of people. You see so many examples of self-sacrifice and moral courage. In the rest of life you don't get that many opportunities to be sure of your friends.
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Acting, to me, has been many things: It's a business, and it's a craft, and it's a political act - it's whatever adjective is most applicable.
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I'm not an acting monk or anything. I'm not, like, the most well-adjusted actor.
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I always think back to the original movies and to those quieter moments where Luke is out in A New Hope, and there are the two suns setting. It is the equivalent, basically, of a farm boy dying to get out of his small town and do something bigger. It's those kinds of universal themes that ground this whole thing in space.
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Juilliard definitely emphasizes the theater. They don't train - at all really - for film acting. It's mostly process-oriented, pretty much for the stage.
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