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I think it's possible to be free in a big production. It's the eye of the director and the actor and the story.
Adam Driver
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Adam Driver
Age: 40
Born: 1983
Born: November 19
Actor
Film Actor
Stage Actor
Television Actor
San Diego
California
Adam Douglas Driver
Eye
Productions
Bigs
Director
Stories
Directors
Think
Actor
Thinking
Possible
Story
Actors
Free
Production
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I originally passed on 'Girls' because I thought TV was evil.
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I'm conflicted with theater in the city because you want to reach a diverse audience, and that audience doesn't typically go to the theater.
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It was very clear to me I wanted to be an actor when I got out into civilian life.
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I was born in California. When I was six, we moved to a small town in northern Indiana called Mishawaka.
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Acting is a business and a political act and a craft, but I also feel like it's a service - specifically, for a military audience.
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I don't have cable. I just never watched a lot of TV.
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I have a control problem. I hate the feeling of not being in control.
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Acting, to me, has been many things: It's a business, and it's a craft, and it's a political act - it's whatever adjective is most applicable.
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I always found something strangely paternal about the director-actor relationship. Actors want so much approval.
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Something I learned in the Marine Corps that I've applied to acting is, one, taking direction, and then working with a group of people to accomplish a mission and knowing your role within that team.
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I feel like I'll never get over red carpets. They're so bizarre and awkward.
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I'm not an acting monk or anything. I'm not, like, the most well-adjusted actor.
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Girls' feels very active and stirring a conversation and controversial, and you can't really ask for more as an actor.
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Emphasis in the Marine Corps isn't on talking about your feelings.
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I don't understand technology, and I'm very scared of it.
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Acting is really about having the courage to fail in front of people.
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Through theater and acting school, I found a way to articulate myself.
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I actually run a non-profit where one of the main objectives is to branch out and get a new audience for the theater. Just because the writing is so good and nothing is more effective than seeing something live and happening right in front of your face, so I definitely want to continue to pursue that.
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Juilliard definitely emphasizes the theater. They don't train - at all really - for film acting. It's mostly process-oriented, pretty much for the stage.
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I always think back to the original movies and to those quieter moments where Luke is out in A New Hope, and there are the two suns setting. It is the equivalent, basically, of a farm boy dying to get out of his small town and do something bigger. It's those kinds of universal themes that ground this whole thing in space.
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