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I'm conflicted with theater in the city because you want to reach a diverse audience, and that audience doesn't typically go to the theater.

Adam Driver

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Adam Driver
Age: 41
Born: 1983
Born: November 19
Actor
Film Actor
Stage Actor
Television Actor
San Diego
California
Adam Douglas Driver
City
Cities
Audience
Doesn
Conflicted
Typically
Diverse
Reach
Theater

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I always found something strangely paternal about the director-actor relationship. Actors want so much approval.
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I mean, I did plays in high school, but I was convinced you couldn't make a living doing it.
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At the end of whatever we're doing, I always feel like I want to go back and start over again because now I have a better sense of what it is. I feel that with everything. Like, if you're doing like a long run of a play and you're doing it seven shows a week, at the end of it, I want to go back and start from the beginning.
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Through theater and acting school, I found a way to articulate myself.
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I always think back to the original movies and to those quieter moments where Luke is out in A New Hope, and there are the two suns setting. It is the equivalent, basically, of a farm boy dying to get out of his small town and do something bigger. It's those kinds of universal themes that ground this whole thing in space.
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Acting, to me, has been many things: It's a business, and it's a craft, and it's a political act - it's whatever adjective is most applicable.
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Juilliard definitely emphasizes the theater. They don't train - at all really - for film acting. It's mostly process-oriented, pretty much for the stage.
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I don't understand technology, and I'm very scared of it.
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What is important is to maintain integrity of the story, of the character, of the movie, even if it's a big production.
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I originally passed on 'Girls' because I thought TV was evil.
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If I'm not doing something or working on something, I literally just sit in the room and think, which I don't think is productive. I won't go outside for days.
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Girls' feels very active and stirring a conversation and controversial, and you can't really ask for more as an actor.
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Something I learned in the Marine Corps that I've applied to acting is, one, taking direction, and then working with a group of people to accomplish a mission and knowing your role within that team.
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Acting is really about having the courage to fail in front of people.
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I have a control problem. I hate the feeling of not being in control.
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The Marine Corps is some of the best acting training you could have. Having that responsibility for people's lives, suddenly time becomes a really valuable commodity and you want to make the most of it. And for acting, you just have to do the work, just keep doing it.
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It's hard to kill that father-son bond.
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I think it's possible to be free in a big production. It's the eye of the director and the actor and the story.
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Acting is a business and a political act and a craft, but I also feel like it's a service - specifically, for a military audience.
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