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Every age cuts and pastes history to suit its own purposes art always has an ax to grind.
Ada Louise Huxtable
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Ada Louise Huxtable
Age: 91 †
Born: 1921
Born: March 14
Died: 2013
Died: January 7
Architectural Critic
Biographer
Curator
Journalist
Writer
New York City
New York
Ada Louise Landman
Age
Purpose
History
Grind
Art
Cuts
Every
Purposes
Always
Suit
Suits
Cutting
More quotes by Ada Louise Huxtable
If the British are a nation of shopkeepers, Americans are a nation of shoppers.
Ada Louise Huxtable
In New York, the impact of these concentrated superskyscrapers on street scale and sunlight, on the city's aniquated support systems, circulation, and infrastructure, on its already tenuous livability, overrides any aesthetic. ... Art becomes worthless in a city brutalized by overdevelopment.
Ada Louise Huxtable
Symbol and metaphor are as much a part of the architectural vocabulary as stone and steel.
Ada Louise Huxtable
A disaster where marble has been substituted for imagination.
Ada Louise Huxtable
Summer is the time when one sheds one's tensions with one's clothes, and the right kind of day is jeweled balm for the battered spirit. A few of those days and you can become drunk with the belief that all's right with the world.
Ada Louise Huxtable
An excellent job with a dubious undertaking, which is like saying it would be great if it wasn't awful.
Ada Louise Huxtable
Good architecture is still the difficult, conscientious, creative, expressive planning for that elusive synthesis that is a near-contradiction in terms: efficiency and beauty.
Ada Louise Huxtable
Who’s afraid of the big, bad buildings? Everyone, because there are so many things about gigantism that we just don’t know. The gamble of triumph or tragedy at this scale — and ultimately it is a gamble — demands an extraordinary payoff. The trade center towers could be the start of a new skyscraper age or the biggest tombstones in the world.
Ada Louise Huxtable
Clutter in its highest and most organized form is called collecting.
Ada Louise Huxtable
Nothing was more up-to-date when it was built, or is more obsolete today, than the railroad station.
Ada Louise Huxtable
Embellishment is an irresistible and consuming impulse, going back to the beginnings of human history. ... Probably the strongest motivating force is the simplest: the inability of almost everyone to ever leave well enough alone.
Ada Louise Huxtable
The building is a national tragedy - a cross between a concrete candy box and a marble sarcophagus in which the art of architecture lies buried.
Ada Louise Huxtable
Some people wait constructively they read or knit. I have watched some truly appalling pieces of needlework take form. Others - I am one of them - abandon all thought and purpose to an uneasy vegetative states.
Ada Louise Huxtable
The skyscraper and the twentieth century are synonymous the tall building is the landmark of our age. ... Shaper of cities and fortunes, it is the dream, past and present, acknowledged or unacknowledged, of almost every architect.
Ada Louise Huxtable
Every creative act draws on the past whether it pretends to or not. It draws on what it knows. There's no such thing, really, as a creative act in a vacuum.
Ada Louise Huxtable
No matter what an architect may be at home, he becomes a monumentalist when he comes to Washington.
Ada Louise Huxtable
It is the rare architect who does not hope in his heart to design a great building and for whom the quest is not a quiet, consuming passion.
Ada Louise Huxtable
There are two kinds of people in the world - those who have a horror of a vacuum and those with a horror of the things that fill it. Translated into domestic interiors, this means people who live with, and without, clutter.
Ada Louise Huxtable
California ... is the place that sets the trends and establishes the values for the rest of the country like a slow ooze, California culture spreads eastward across the land.
Ada Louise Huxtable
Washington is an endless series of mock palaces clearly built for clerks.
Ada Louise Huxtable
