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No matter what an architect may be at home, he becomes a monumentalist when he comes to Washington.
Ada Louise Huxtable
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Ada Louise Huxtable
Age: 91 †
Born: 1921
Born: March 14
Died: 2013
Died: January 7
Architectural Critic
Biographer
Curator
Journalist
Writer
New York City
New York
Ada Louise Landman
Matter
Architect
Washington
Architecture
Becomes
Comes
Home
May
More quotes by Ada Louise Huxtable
Tossed into the Secaucus graveyard are about 25 centuries of classical culture and the standards of style, elegance and grandeur that it gave to the dreams and constructions of Western man. That turns the Jersey wasteland into a pretty classy dump.
Ada Louise Huxtable
The New York Hilton is laid out with a competence that would make a computer blush.
Ada Louise Huxtable
Every generation tailors history to its taste.
Ada Louise Huxtable
Postmodernism is a freewheeling, unfettered, and unapologetic pursuit of style.
Ada Louise Huxtable
Nothing was more up-to-date when it was built, or is more obsolete today, than the railroad station.
Ada Louise Huxtable
Only a Californian would have observed that it is becoming increasingly difficult to tell the real fake from the fake fake.
Ada Louise Huxtable
California ... is the place that sets the trends and establishes the values for the rest of the country like a slow ooze, California culture spreads eastward across the land.
Ada Louise Huxtable
New York, thy name is irreverence and hyperbole. And grandeur.
Ada Louise Huxtable
Waiting is a large part of living. Great, passive, negative chunks of our time are consumed by waiting, from birth to death. Waiting is a special kind of activity - if activity is the right word for it - because we are held in enforced suspension between people and places, removed from the normal rhythms of our days and lives.
Ada Louise Huxtable
There are two kinds of people in the world - those who have a horror of a vacuum and those with a horror of the things that fill it. Translated into domestic interiors, this means people who live with, and without, clutter.
Ada Louise Huxtable
Embellishment is an irresistible and consuming impulse, going back to the beginnings of human history. ... Probably the strongest motivating force is the simplest: the inability of almost everyone to ever leave well enough alone.
Ada Louise Huxtable
It is the rare architect who does not hope in his heart to design a great building and for whom the quest is not a quiet, consuming passion.
Ada Louise Huxtable
Symbol and metaphor are as much a part of the architectural vocabulary as stone and steel.
Ada Louise Huxtable
The skyscraper and the twentieth century are synonymous the tall building is the landmark of our age. ... Shaper of cities and fortunes, it is the dream, past and present, acknowledged or unacknowledged, of almost every architect.
Ada Louise Huxtable
The building is a national tragedy - a cross between a concrete candy box and a marble sarcophagus in which the art of architecture lies buried.
Ada Louise Huxtable
Good architecture is still the difficult, conscientious, creative, expressive planning for that elusive synthesis that is a near-contradiction in terms: efficiency and beauty.
Ada Louise Huxtable
Some people wait constructively they read or knit. I have watched some truly appalling pieces of needlework take form. Others - I am one of them - abandon all thought and purpose to an uneasy vegetative states.
Ada Louise Huxtable
A disaster where marble has been substituted for imagination.
Ada Louise Huxtable
If the British are a nation of shopkeepers, Americans are a nation of shoppers.
Ada Louise Huxtable
Surrogate experience and surrogate environments have become the American way of life. Distinctions are no longer made, or deemed necessary, between the real and the false the edge usually goes to the latter, as an improved version with defects corrected - accessible and user-friendly.
Ada Louise Huxtable
