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Postmodernism is a freewheeling, unfettered, and unapologetic pursuit of style.

Ada Louise Huxtable

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Ada Louise Huxtable
Age: 91 †
Born: 1921
Born: March 14
Died: 2013
Died: January 7
Architectural Critic
Biographer
Curator
Journalist
Writer
New York City
New York
Ada Louise Landman
Pursuit
Style
Freewheeling
Unapologetic
Unfettered
Architecture

More quotes by Ada Louise Huxtable

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Real estate is the closest thing to the proverbial pot of gold.
Ada Louise Huxtable
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The New York Hilton is laid out with a competence that would make a computer blush.
Ada Louise Huxtable
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the search for the ultimate skyscraper goes on. ... At worst, overbuilding will make urban life unbearable. At best, we will go out in a blaze of style.
Ada Louise Huxtable
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Really living without clutter takes an iron will ... This involves eternal watchfulness and that oldest and most relentless of the housewife's occupations, picking up. I have a feeling that picking up will go on long after ways have been found to circumvent death and taxes.
Ada Louise Huxtable
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No matter what an architect may be at home, he becomes a monumentalist when he comes to Washington.
Ada Louise Huxtable
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The skyscraper and the twentieth century are synonymous the tall building is the landmark of our age. ... Shaper of cities and fortunes, it is the dream, past and present, acknowledged or unacknowledged, of almost every architect.
Ada Louise Huxtable
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Waiting is a large part of living. Great, passive, negative chunks of our time are consumed by waiting, from birth to death. Waiting is a special kind of activity - if activity is the right word for it - because we are held in enforced suspension between people and places, removed from the normal rhythms of our days and lives.
Ada Louise Huxtable
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Who’s afraid of the big, bad buildings? Everyone, because there are so many things about gigantism that we just don’t know. The gamble of triumph or tragedy at this scale — and ultimately it is a gamble — demands an extraordinary payoff. The trade center towers could be the start of a new skyscraper age or the biggest tombstones in the world.
Ada Louise Huxtable
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Real serious waiting is done in waiting rooms, and what they all have in common is their purpose, or purposelessness, if you will they are places for doing nothing and they have no life of their own. ... their one constant is what might be called a decorative rigor mortis.
Ada Louise Huxtable
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Every creative act draws on the past whether it pretends to or not. It draws on what it knows. There's no such thing, really, as a creative act in a vacuum.
Ada Louise Huxtable
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A disaster where marble has been substituted for imagination.
Ada Louise Huxtable
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An excellent job with a dubious undertaking, which is like saying it would be great if it wasn't awful.
Ada Louise Huxtable
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It is the rare architect who does not hope in his heart to design a great building and for whom the quest is not a quiet, consuming passion.
Ada Louise Huxtable
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The building is a national tragedy - a cross between a concrete candy box and a marble sarcophagus in which the art of architecture lies buried.
Ada Louise Huxtable
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Every generation tailors history to its taste.
Ada Louise Huxtable
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If the British are a nation of shopkeepers, Americans are a nation of shoppers.
Ada Louise Huxtable
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New York, thy name is irreverence and hyperbole. And grandeur.
Ada Louise Huxtable
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There are two kinds of people in the world - those who have a horror of a vacuum and those with a horror of the things that fill it. Translated into domestic interiors, this means people who live with, and without, clutter.
Ada Louise Huxtable
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Every age cuts and pastes history to suit its own purposes art always has an ax to grind.
Ada Louise Huxtable
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Tossed into the Secaucus graveyard are about 25 centuries of classical culture and the standards of style, elegance and grandeur that it gave to the dreams and constructions of Western man. That turns the Jersey wasteland into a pretty classy dump.
Ada Louise Huxtable