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Nothing was more up-to-date when it was built, or is more obsolete today, than the railroad station.
Ada Louise Huxtable
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Ada Louise Huxtable
Age: 91 †
Born: 1921
Born: March 14
Died: 2013
Died: January 7
Architectural Critic
Biographer
Curator
Journalist
Writer
New York City
New York
Ada Louise Landman
Stations
Date
Built
Today
Nothing
Railroad
Railroads
Obsolete
Station
More quotes by Ada Louise Huxtable
The age of Lincoln and Jefferson memorials is over. It will be presidential libraries from now on.
Ada Louise Huxtable
No matter what an architect may be at home, he becomes a monumentalist when he comes to Washington.
Ada Louise Huxtable
Symbol and metaphor are as much a part of the architectural vocabulary as stone and steel.
Ada Louise Huxtable
Who’s afraid of the big, bad buildings? Everyone, because there are so many things about gigantism that we just don’t know. The gamble of triumph or tragedy at this scale — and ultimately it is a gamble — demands an extraordinary payoff. The trade center towers could be the start of a new skyscraper age or the biggest tombstones in the world.
Ada Louise Huxtable
Real estate is the closest thing to the proverbial pot of gold.
Ada Louise Huxtable
the search for the ultimate skyscraper goes on. ... At worst, overbuilding will make urban life unbearable. At best, we will go out in a blaze of style.
Ada Louise Huxtable
If the British are a nation of shopkeepers, Americans are a nation of shoppers.
Ada Louise Huxtable
Every age cuts and pastes history to suit its own purposes art always has an ax to grind.
Ada Louise Huxtable
Clutter in its highest and most organized form is called collecting.
Ada Louise Huxtable
What counts more than style is whether architecture improves our experience of the built world whether it makes us wonder why we never noticed places in quite this way before.
Ada Louise Huxtable
Every generation tailors history to its taste.
Ada Louise Huxtable
The New York Hilton is laid out with a competence that would make a computer blush.
Ada Louise Huxtable
Tossed into the Secaucus graveyard are about 25 centuries of classical culture and the standards of style, elegance and grandeur that it gave to the dreams and constructions of Western man. That turns the Jersey wasteland into a pretty classy dump.
Ada Louise Huxtable
The building is a national tragedy - a cross between a concrete candy box and a marble sarcophagus in which the art of architecture lies buried.
Ada Louise Huxtable
There are two kinds of people in the world - those who have a horror of a vacuum and those with a horror of the things that fill it. Translated into domestic interiors, this means people who live with, and without, clutter.
Ada Louise Huxtable
Good architecture is still the difficult, conscientious, creative, expressive planning for that elusive synthesis that is a near-contradiction in terms: efficiency and beauty.
Ada Louise Huxtable
An excellent job with a dubious undertaking, which is like saying it would be great if it wasn't awful.
Ada Louise Huxtable
Every creative act draws on the past whether it pretends to or not. It draws on what it knows. There's no such thing, really, as a creative act in a vacuum.
Ada Louise Huxtable
Waiting is a large part of living. Great, passive, negative chunks of our time are consumed by waiting, from birth to death. Waiting is a special kind of activity - if activity is the right word for it - because we are held in enforced suspension between people and places, removed from the normal rhythms of our days and lives.
Ada Louise Huxtable
New York, thy name is irreverence and hyperbole. And grandeur.
Ada Louise Huxtable
