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A disaster where marble has been substituted for imagination.

Ada Louise Huxtable

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Ada Louise Huxtable
Age: 91 †
Born: 1921
Born: March 14
Died: 2013
Died: January 7
Architectural Critic
Biographer
Curator
Journalist
Writer
New York City
New York
Ada Louise Landman
Substituted
Marble
Disaster
Imagination

More quotes by Ada Louise Huxtable

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Every generation tailors history to its taste.
Ada Louise Huxtable
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Symbol and metaphor are as much a part of the architectural vocabulary as stone and steel.
Ada Louise Huxtable
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Embellishment is an irresistible and consuming impulse, going back to the beginnings of human history. ... Probably the strongest motivating force is the simplest: the inability of almost everyone to ever leave well enough alone.
Ada Louise Huxtable
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No matter what an architect may be at home, he becomes a monumentalist when he comes to Washington.
Ada Louise Huxtable
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New York, thy name is irreverence and hyperbole. And grandeur.
Ada Louise Huxtable
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Waiting is a large part of living. Great, passive, negative chunks of our time are consumed by waiting, from birth to death. Waiting is a special kind of activity - if activity is the right word for it - because we are held in enforced suspension between people and places, removed from the normal rhythms of our days and lives.
Ada Louise Huxtable
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Only a Californian would have observed that it is becoming increasingly difficult to tell the real fake from the fake fake.
Ada Louise Huxtable
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The skyscraper and the twentieth century are synonymous the tall building is the landmark of our age. ... Shaper of cities and fortunes, it is the dream, past and present, acknowledged or unacknowledged, of almost every architect.
Ada Louise Huxtable
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Nothing was more up-to-date when it was built, or is more obsolete today, than the railroad station.
Ada Louise Huxtable
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In New York, the impact of these concentrated superskyscrapers on street scale and sunlight, on the city's aniquated support systems, circulation, and infrastructure, on its already tenuous livability, overrides any aesthetic. ... Art becomes worthless in a city brutalized by overdevelopment.
Ada Louise Huxtable
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Good architecture is still the difficult, conscientious, creative, expressive planning for that elusive synthesis that is a near-contradiction in terms: efficiency and beauty.
Ada Louise Huxtable
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Summer is the time when one sheds one's tensions with one's clothes, and the right kind of day is jeweled balm for the battered spirit. A few of those days and you can become drunk with the belief that all's right with the world.
Ada Louise Huxtable
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Some people wait constructively they read or knit. I have watched some truly appalling pieces of needlework take form. Others - I am one of them - abandon all thought and purpose to an uneasy vegetative states.
Ada Louise Huxtable
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It is the rare architect who does not hope in his heart to design a great building and for whom the quest is not a quiet, consuming passion.
Ada Louise Huxtable
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If the British are a nation of shopkeepers, Americans are a nation of shoppers.
Ada Louise Huxtable
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Who’s afraid of the big, bad buildings? Everyone, because there are so many things about gigantism that we just don’t know. The gamble of triumph or tragedy at this scale — and ultimately it is a gamble — demands an extraordinary payoff. The trade center towers could be the start of a new skyscraper age or the biggest tombstones in the world.
Ada Louise Huxtable
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California ... is the place that sets the trends and establishes the values for the rest of the country like a slow ooze, California culture spreads eastward across the land.
Ada Louise Huxtable
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Clutter in its highest and most organized form is called collecting.
Ada Louise Huxtable
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the search for the ultimate skyscraper goes on. ... At worst, overbuilding will make urban life unbearable. At best, we will go out in a blaze of style.
Ada Louise Huxtable
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The age of Lincoln and Jefferson memorials is over. It will be presidential libraries from now on.
Ada Louise Huxtable