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Washington is an endless series of mock palaces clearly built for clerks.

Ada Louise Huxtable

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Ada Louise Huxtable
Age: 91 †
Born: 1921
Born: March 14
Died: 2013
Died: January 7
Architectural Critic
Biographer
Curator
Journalist
Writer
New York City
New York
Ada Louise Landman
Clerks
Mock
Palaces
Washington
Clearly
Endless
Series
Built

More quotes by Ada Louise Huxtable

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Surrogate experience and surrogate environments have become the American way of life. Distinctions are no longer made, or deemed necessary, between the real and the false the edge usually goes to the latter, as an improved version with defects corrected - accessible and user-friendly.
Ada Louise Huxtable
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Symbol and metaphor are as much a part of the architectural vocabulary as stone and steel.
Ada Louise Huxtable
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Tossed into the Secaucus graveyard are about 25 centuries of classical culture and the standards of style, elegance and grandeur that it gave to the dreams and constructions of Western man. That turns the Jersey wasteland into a pretty classy dump.
Ada Louise Huxtable
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Real serious waiting is done in waiting rooms, and what they all have in common is their purpose, or purposelessness, if you will they are places for doing nothing and they have no life of their own. ... their one constant is what might be called a decorative rigor mortis.
Ada Louise Huxtable
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No matter what an architect may be at home, he becomes a monumentalist when he comes to Washington.
Ada Louise Huxtable
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Every generation tailors history to its taste.
Ada Louise Huxtable
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Good architecture is still the difficult, conscientious, creative, expressive planning for that elusive synthesis that is a near-contradiction in terms: efficiency and beauty.
Ada Louise Huxtable
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Who’s afraid of the big, bad buildings? Everyone, because there are so many things about gigantism that we just don’t know. The gamble of triumph or tragedy at this scale — and ultimately it is a gamble — demands an extraordinary payoff. The trade center towers could be the start of a new skyscraper age or the biggest tombstones in the world.
Ada Louise Huxtable
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If the British are a nation of shopkeepers, Americans are a nation of shoppers.
Ada Louise Huxtable
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Postmodernism is a freewheeling, unfettered, and unapologetic pursuit of style.
Ada Louise Huxtable
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The New York Hilton is laid out with a competence that would make a computer blush.
Ada Louise Huxtable
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The building is a national tragedy - a cross between a concrete candy box and a marble sarcophagus in which the art of architecture lies buried.
Ada Louise Huxtable
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Embellishment is an irresistible and consuming impulse, going back to the beginnings of human history. ... Probably the strongest motivating force is the simplest: the inability of almost everyone to ever leave well enough alone.
Ada Louise Huxtable
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Every creative act draws on the past whether it pretends to or not. It draws on what it knows. There's no such thing, really, as a creative act in a vacuum.
Ada Louise Huxtable
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What counts more than style is whether architecture improves our experience of the built world whether it makes us wonder why we never noticed places in quite this way before.
Ada Louise Huxtable
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Beauty or beast, the modern skyscraper is a major force with a strong magnetic field. It draws into its physical being all of the factors that propel and characterize modern civilization. The skyscraper is the point where art and the city meet.
Ada Louise Huxtable
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New York, thy name is irreverence and hyperbole. And grandeur.
Ada Louise Huxtable
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It is the rare architect who does not hope in his heart to design a great building and for whom the quest is not a quiet, consuming passion.
Ada Louise Huxtable
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Summer is the time when one sheds one's tensions with one's clothes, and the right kind of day is jeweled balm for the battered spirit. A few of those days and you can become drunk with the belief that all's right with the world.
Ada Louise Huxtable
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The skyscraper and the twentieth century are synonymous the tall building is the landmark of our age. ... Shaper of cities and fortunes, it is the dream, past and present, acknowledged or unacknowledged, of almost every architect.
Ada Louise Huxtable