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Washington is an endless series of mock palaces clearly built for clerks.

Ada Louise Huxtable

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Ada Louise Huxtable
Age: 91 †
Born: 1921
Born: March 14
Died: 2013
Died: January 7
Architectural Critic
Biographer
Curator
Journalist
Writer
New York City
New York
Ada Louise Landman
Palaces
Washington
Clearly
Endless
Series
Built
Clerks
Mock

More quotes by Ada Louise Huxtable

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Real estate is the closest thing to the proverbial pot of gold.
Ada Louise Huxtable
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The skyscraper and the twentieth century are synonymous the tall building is the landmark of our age. ... Shaper of cities and fortunes, it is the dream, past and present, acknowledged or unacknowledged, of almost every architect.
Ada Louise Huxtable
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Summer is the time when one sheds one's tensions with one's clothes, and the right kind of day is jeweled balm for the battered spirit. A few of those days and you can become drunk with the belief that all's right with the world.
Ada Louise Huxtable
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Every generation tailors history to its taste.
Ada Louise Huxtable
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In New York, the impact of these concentrated superskyscrapers on street scale and sunlight, on the city's aniquated support systems, circulation, and infrastructure, on its already tenuous livability, overrides any aesthetic. ... Art becomes worthless in a city brutalized by overdevelopment.
Ada Louise Huxtable
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Every creative act draws on the past whether it pretends to or not. It draws on what it knows. There's no such thing, really, as a creative act in a vacuum.
Ada Louise Huxtable
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All autonomous agencies and authorities, sooner or later, turn into self-perpetuating strongholds of conventional thought and practice.
Ada Louise Huxtable
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Every age cuts and pastes history to suit its own purposes art always has an ax to grind.
Ada Louise Huxtable
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Waiting is a large part of living. Great, passive, negative chunks of our time are consumed by waiting, from birth to death. Waiting is a special kind of activity - if activity is the right word for it - because we are held in enforced suspension between people and places, removed from the normal rhythms of our days and lives.
Ada Louise Huxtable
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the search for the ultimate skyscraper goes on. ... At worst, overbuilding will make urban life unbearable. At best, we will go out in a blaze of style.
Ada Louise Huxtable
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An excellent job with a dubious undertaking, which is like saying it would be great if it wasn't awful.
Ada Louise Huxtable
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The building is a national tragedy - a cross between a concrete candy box and a marble sarcophagus in which the art of architecture lies buried.
Ada Louise Huxtable
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Good architecture is still the difficult, conscientious, creative, expressive planning for that elusive synthesis that is a near-contradiction in terms: efficiency and beauty.
Ada Louise Huxtable
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Only a Californian would have observed that it is becoming increasingly difficult to tell the real fake from the fake fake.
Ada Louise Huxtable
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California ... is the place that sets the trends and establishes the values for the rest of the country like a slow ooze, California culture spreads eastward across the land.
Ada Louise Huxtable
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Embellishment is an irresistible and consuming impulse, going back to the beginnings of human history. ... Probably the strongest motivating force is the simplest: the inability of almost everyone to ever leave well enough alone.
Ada Louise Huxtable
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Nothing was more up-to-date when it was built, or is more obsolete today, than the railroad station.
Ada Louise Huxtable
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Symbol and metaphor are as much a part of the architectural vocabulary as stone and steel.
Ada Louise Huxtable
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Tossed into the Secaucus graveyard are about 25 centuries of classical culture and the standards of style, elegance and grandeur that it gave to the dreams and constructions of Western man. That turns the Jersey wasteland into a pretty classy dump.
Ada Louise Huxtable
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There are two kinds of people in the world - those who have a horror of a vacuum and those with a horror of the things that fill it. Translated into domestic interiors, this means people who live with, and without, clutter.
Ada Louise Huxtable