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Summer is the time when one sheds one's tensions with one's clothes, and the right kind of day is jeweled balm for the battered spirit. A few of those days and you can become drunk with the belief that all's right with the world.
Ada Louise Huxtable
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Ada Louise Huxtable
Age: 91 †
Born: 1921
Born: March 14
Died: 2013
Died: January 7
Architectural Critic
Biographer
Curator
Journalist
Writer
New York City
New York
Ada Louise Landman
Spirit
Battered
Become
Shed
Right
Tension
Kind
Drunk
Time
Summer
Sheds
Love
Clothes
Balm
World
Days
Summertime
Belief
Tensions
More quotes by Ada Louise Huxtable
Waiting is a large part of living. Great, passive, negative chunks of our time are consumed by waiting, from birth to death. Waiting is a special kind of activity - if activity is the right word for it - because we are held in enforced suspension between people and places, removed from the normal rhythms of our days and lives.
Ada Louise Huxtable
There are two kinds of people in the world - those who have a horror of a vacuum and those with a horror of the things that fill it. Translated into domestic interiors, this means people who live with, and without, clutter.
Ada Louise Huxtable
Surrogate experience and surrogate environments have become the American way of life. Distinctions are no longer made, or deemed necessary, between the real and the false the edge usually goes to the latter, as an improved version with defects corrected - accessible and user-friendly.
Ada Louise Huxtable
Every age cuts and pastes history to suit its own purposes art always has an ax to grind.
Ada Louise Huxtable
Embellishment is an irresistible and consuming impulse, going back to the beginnings of human history. ... Probably the strongest motivating force is the simplest: the inability of almost everyone to ever leave well enough alone.
Ada Louise Huxtable
The skyscraper and the twentieth century are synonymous the tall building is the landmark of our age. ... Shaper of cities and fortunes, it is the dream, past and present, acknowledged or unacknowledged, of almost every architect.
Ada Louise Huxtable
Tossed into the Secaucus graveyard are about 25 centuries of classical culture and the standards of style, elegance and grandeur that it gave to the dreams and constructions of Western man. That turns the Jersey wasteland into a pretty classy dump.
Ada Louise Huxtable
The New York Hilton is laid out with a competence that would make a computer blush.
Ada Louise Huxtable
Only a Californian would have observed that it is becoming increasingly difficult to tell the real fake from the fake fake.
Ada Louise Huxtable
It is the rare architect who does not hope in his heart to design a great building and for whom the quest is not a quiet, consuming passion.
Ada Louise Huxtable
California ... is the place that sets the trends and establishes the values for the rest of the country like a slow ooze, California culture spreads eastward across the land.
Ada Louise Huxtable
All autonomous agencies and authorities, sooner or later, turn into self-perpetuating strongholds of conventional thought and practice.
Ada Louise Huxtable
the search for the ultimate skyscraper goes on. ... At worst, overbuilding will make urban life unbearable. At best, we will go out in a blaze of style.
Ada Louise Huxtable
The age of Lincoln and Jefferson memorials is over. It will be presidential libraries from now on.
Ada Louise Huxtable
An excellent job with a dubious undertaking, which is like saying it would be great if it wasn't awful.
Ada Louise Huxtable
New York, thy name is irreverence and hyperbole. And grandeur.
Ada Louise Huxtable
Postmodernism is a freewheeling, unfettered, and unapologetic pursuit of style.
Ada Louise Huxtable
Really living without clutter takes an iron will ... This involves eternal watchfulness and that oldest and most relentless of the housewife's occupations, picking up. I have a feeling that picking up will go on long after ways have been found to circumvent death and taxes.
Ada Louise Huxtable
No matter what an architect may be at home, he becomes a monumentalist when he comes to Washington.
Ada Louise Huxtable
The building is a national tragedy - a cross between a concrete candy box and a marble sarcophagus in which the art of architecture lies buried.
Ada Louise Huxtable
