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Summer is the time when one sheds one's tensions with one's clothes, and the right kind of day is jeweled balm for the battered spirit. A few of those days and you can become drunk with the belief that all's right with the world.
Ada Louise Huxtable
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Ada Louise Huxtable
Age: 91 †
Born: 1921
Born: March 14
Died: 2013
Died: January 7
Architectural Critic
Biographer
Curator
Journalist
Writer
New York City
New York
Ada Louise Landman
Love
Clothes
Balm
World
Days
Summertime
Belief
Tensions
Spirit
Battered
Become
Shed
Right
Tension
Kind
Drunk
Time
Summer
Sheds
More quotes by Ada Louise Huxtable
The age of Lincoln and Jefferson memorials is over. It will be presidential libraries from now on.
Ada Louise Huxtable
New York, thy name is irreverence and hyperbole. And grandeur.
Ada Louise Huxtable
The building is a national tragedy - a cross between a concrete candy box and a marble sarcophagus in which the art of architecture lies buried.
Ada Louise Huxtable
Real serious waiting is done in waiting rooms, and what they all have in common is their purpose, or purposelessness, if you will they are places for doing nothing and they have no life of their own. ... their one constant is what might be called a decorative rigor mortis.
Ada Louise Huxtable
A disaster where marble has been substituted for imagination.
Ada Louise Huxtable
All autonomous agencies and authorities, sooner or later, turn into self-perpetuating strongholds of conventional thought and practice.
Ada Louise Huxtable
The New York Hilton is laid out with a competence that would make a computer blush.
Ada Louise Huxtable
California ... is the place that sets the trends and establishes the values for the rest of the country like a slow ooze, California culture spreads eastward across the land.
Ada Louise Huxtable
If the British are a nation of shopkeepers, Americans are a nation of shoppers.
Ada Louise Huxtable
It is the rare architect who does not hope in his heart to design a great building and for whom the quest is not a quiet, consuming passion.
Ada Louise Huxtable
Good architecture is still the difficult, conscientious, creative, expressive planning for that elusive synthesis that is a near-contradiction in terms: efficiency and beauty.
Ada Louise Huxtable
What counts more than style is whether architecture improves our experience of the built world whether it makes us wonder why we never noticed places in quite this way before.
Ada Louise Huxtable
Some people wait constructively they read or knit. I have watched some truly appalling pieces of needlework take form. Others - I am one of them - abandon all thought and purpose to an uneasy vegetative states.
Ada Louise Huxtable
Postmodernism is a freewheeling, unfettered, and unapologetic pursuit of style.
Ada Louise Huxtable
Who’s afraid of the big, bad buildings? Everyone, because there are so many things about gigantism that we just don’t know. The gamble of triumph or tragedy at this scale — and ultimately it is a gamble — demands an extraordinary payoff. The trade center towers could be the start of a new skyscraper age or the biggest tombstones in the world.
Ada Louise Huxtable
Waiting is a large part of living. Great, passive, negative chunks of our time are consumed by waiting, from birth to death. Waiting is a special kind of activity - if activity is the right word for it - because we are held in enforced suspension between people and places, removed from the normal rhythms of our days and lives.
Ada Louise Huxtable
The skyscraper and the twentieth century are synonymous the tall building is the landmark of our age. ... Shaper of cities and fortunes, it is the dream, past and present, acknowledged or unacknowledged, of almost every architect.
Ada Louise Huxtable
Every creative act draws on the past whether it pretends to or not. It draws on what it knows. There's no such thing, really, as a creative act in a vacuum.
Ada Louise Huxtable
the search for the ultimate skyscraper goes on. ... At worst, overbuilding will make urban life unbearable. At best, we will go out in a blaze of style.
Ada Louise Huxtable
No matter what an architect may be at home, he becomes a monumentalist when he comes to Washington.
Ada Louise Huxtable