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As an artist I would like to eliminate the symbolic pretty much, for black is interesting not as a color but as a non-color and as the absence of color.

Ad Reinhardt

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Ad Reinhardt
Age: 53 †
Born: 1913
Born: December 24
Died: 1967
Died: August 30
Artist
Collagist
Painter
Printmaker
University Teacher
Buffalo
New York
Adolph Frederick Reinhardt
Adolph Frederick. Reinhardt
Adolph F. Reinhardt
Adolph Dietmar Friedrich Reinhardt
Adolph Dietrich Friedrich Reinhardt
Ad F. Reinhardt
Like
Absence
Color
Pretty
Interesting
Black
Artist
Much
Eliminate
Would
Symbolic

More quotes by Ad Reinhardt

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The ugliest spectacle is that of artists selling themselves. Art as a commodity is an ugly idea... The artist as businessman is uglier than the businessman as artist.
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I taught a lot of art history, especially Chinese, Japanese, and Indian. But the painting classes came back. The nudes came back. Not so much the still lifes. So now our department is the worst department, partly because it has the worst facilities.
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I want to emphasize the idea of black as intellectuality and conventionality.
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The job at Brooklyn is interesting because Brooklyn reflects what happened to university art departments everywhere. It might be the worst department now, and yet at one point it was the best in the country.
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My painting represents the victory of the forces of darkness and peace over the powers of light and evil.
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The only and one way to say what abstract art or art-as-art is, is to say what it is not.
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The more an artist works the more there is to do.
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The artist as businessman is uglier than the businessman as artist.
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As for a picture, if it isn't worth a thousand words, the hell with it.
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Only a bad artist thinks he has a good idea. A good artist does not need anything.
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An artist who dedicates his life to art, burdens his art with his life, and his life with his art.
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My paintings are the last paintings one can make.
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Art is too serious to be taken seriously.
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If some student came up and wanted to know where to study painting, you'd want to suggest someplace, but there's no place. I wouldn't know where to send a student to study.
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The artist should once and forever emancipate himself from the bondage of appearance.
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We all name ourselves. We call ourselves artists. Nobody asks us. Nobody says you are or you aren't.
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I tried to oppose the academic to the marketplace.
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Art is art. Everything else is everything else.
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I like the idea of the museum world and the university-academic situation where artists talk to each other or where artists or art students study with artists.
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Now almost every artist outside of New York is connected with some school or some museum school, and even in New York the majority are. That's an interesting fact when you take the idea of making money, making a living selling paintings. Only a dozen or two painters do that.
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