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As an artist I would like to eliminate the symbolic pretty much, for black is interesting not as a color but as a non-color and as the absence of color.

Ad Reinhardt

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Ad Reinhardt
Age: 53 †
Born: 1913
Born: December 24
Died: 1967
Died: August 30
Artist
Collagist
Painter
Printmaker
University Teacher
Buffalo
New York
Adolph Frederick Reinhardt
Adolph Frederick. Reinhardt
Adolph F. Reinhardt
Adolph Dietmar Friedrich Reinhardt
Adolph Dietrich Friedrich Reinhardt
Ad F. Reinhardt
Black
Artist
Much
Eliminate
Would
Symbolic
Like
Absence
Color
Pretty
Interesting

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The more an artist works the more there is to do.
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My paintings are the last paintings one can make.
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Only a bad artist thinks he has a good idea. A good artist does not need anything.
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As for a picture, if it isn't worth a thousand words, the hell with it.
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The artist should once and forever emancipate himself from the bondage of appearance.
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The only and one way to say what abstract art or art-as-art is, is to say what it is not.
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Art is not the spiritual side of business.
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There is a black which is old and a black which is fresh. Lustrous black and dull black, black in sunlight and black in shadow.
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An artist who dedicates his life to art, burdens his art with his life, and his life with his art.
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I like the idea of the museum world and the university-academic situation where artists talk to each other or where artists or art students study with artists.
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I want to emphasize the idea of black as intellectuality and conventionality.
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I tried to oppose the academic to the marketplace.
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Now almost every artist outside of New York is connected with some school or some museum school, and even in New York the majority are. That's an interesting fact when you take the idea of making money, making a living selling paintings. Only a dozen or two painters do that.
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If some student came up and wanted to know where to study painting, you'd want to suggest someplace, but there's no place. I wouldn't know where to send a student to study.
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I taught a lot of art history, especially Chinese, Japanese, and Indian. But the painting classes came back. The nudes came back. Not so much the still lifes. So now our department is the worst department, partly because it has the worst facilities.
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It is not right for painters to think that painting is like prostitution, that 'first you do it for love, then you do it for others, and finally you do it for money.
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Art is too serious to be taken seriously.
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The artist as businessman is uglier than the businessman as artist.
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Art is art. Everything else is everything else.
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Painting cannot be the only activity of a mature artist.
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