In journalism, if there's a hole in your story you figure out a way around it because you've got a 4 p.m. deadline. It's a neat skill to have but it's deadly for literature. In literature, you need to stare at that hole, not ignore it. You need to figure it out.

I'm never afraid of research. I relish it!

Both childbirth and abortion are medical procedures but neither is an illness, and sometimes they're both treated as such.

I've gotten to try on voices very different than my own, and I've become much more aware of structure than ever before. Also, you really weigh every word. There's no closer reading then when you read to translate.

We're a long way from the embargo ending. Look at what just happened with the rollback of Obama's Cuba policies. Two idiot congressmen convinced our idiot president to make it harder on Cubans on the island.

I feel possessive about stories I write in Spanish and so I usually end up translating those into English myself.

Offspring were a joy or a shame, but still the crown of their elders, nature's unpredictable creatures.

Journalism is very much public writing, writing with an audience in mind, writing for publication, and frequently writing quickly. And I know that when I worked daily journalism it really affected my patience with literature, which I think requires reflection, and a different kind of engagement.

Our real world has evolved. It's become something much different, and inadvertently about healthcare, and about what it means to have good health, and to be able to have good health.

I tell people to have a relationship with their work every day, even if it means you just move a comma.

So much depends on our health, and we tend to take it so for granted.

Interestingly, in Cuba abortion is treated as lightly as getting a mole removed.