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Classic romantic love is an emotional attraction between two individuals in which they may share a heightened awareness of mutual adoration. Erotic love, traditionally, has been described as shared sexual attraction.
Aberjhani
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Aberjhani
Age: 67
Born: 1957
Born: July 8
Blogger
Columnist
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Literary Critic
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Savannah
Georgia
Jeffery Jerome Lloyd
Emotional
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Attraction
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Mutual
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Traditionally
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Erotic
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Unless you are here: this garden refuses to exist. Pink dragonflies fall from the air and become scorpions scratching blood out of rocks. The rainbows that dangle upon this mist: shatter. Like the smile of a child separated from his mother’s milk for the very first time. --from poem Blood and Blossoms
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Oh what a wonderful soul so bright inside you. Got power to heal the sun’s broken heart, power to restore the moon’s vision too.
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Some have speculated that the way [Albert] Camus died made his theories on absurdity a self-fulfilling prophecy. Others would say it was the triumphant meaningful way he lived that allowed him to rise heroically above absurdity.
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There is in Albert Camus’ literary craftsmanship a seductive intelligence that could almost make a reader dismiss his philosophical intentions if he had not insisted on making them so clear.
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What a lover’s heart knows let no man’s brain dispute.
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The death of a dream can in fact serve as the vehicle that endows it with new form, with reinvigorated substance, a fresh flow of ideas, and splendidly revitalized color. In short, the power of a certain kind of dream is such that death need not indicate finality at all but rather signify a metaphysical and metaphorical leap forward.
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The birth of a true poet is neither an insignificant event nor an easy delivery. Complications generally begin long before the fated soul carries its dubious light into whatever womb has been kind enough to volunteer the intricate machinery of its blood and prayers and muscles for a gestation period much longer than nine months or even nine years.
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When a reader enters the pages of a book of poetry, he or she enters a world where dreams transform the past into knowledge made applicable to the present, and where visions shape the present into extraordinary possibilities for the future.
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I called it a baptism in flaming ink that forced me to shed my shyness about recognizing myself as a poet and to accept the fact that life had never given me any choice in the matter. And then I had to discover exactly what that meant.
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