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Like a Passover Poet gliding from house to house and from trembling soul to trembling soul the wind scribbled sonnets of first time love and weeping haikus of last hours on earth.
Aberjhani
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Aberjhani
Age: 67
Born: 1957
Born: July 8
Blogger
Columnist
Historian
Journalist
Literary Critic
Novelist
Photographer
Savannah
Georgia
Jeffery Jerome Lloyd
Firsts
Poet
Scribbled
First
Wind
Passover
Time
Hours
Sonnets
Love
Lasts
Gliding
Like
Last
Haiku
House
Sonnet
Earth
Trembling
Soul
Weeping
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President Obama appears to me to have elevated and implemented the artist-activist concept to the role of empowered servant-leader.
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Ours is an age in which thousands are driven daily from their homelands by the unforgiving brutalities of war, terrorism, political oppression, starvation, disease, economic piracy, and the relentless suffocation of that singular breath which makes human beings individuals.
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Many may very well continue to ask why more value is placed on technicalities of a law than on a man's flesh and blood life, especially when there is any amount of doubt at all regarding his guilt or innocence.
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To create art with all the passion in one's soul is to live art with all the beauty in one's heart.
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You are the hybrids of golden worlds and ages splendidly conceived.
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Valentines Day itself, like most holidays in the modern era, has been heavily influenced by commercialism that focuses on the appeal of romantic fantasies.
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Now come the whispers bearing bouquets of moonbeams and sunlight tremblings.
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In a rich moonlit garden, flowers open beneath the eyes of entire nations terrified to acknowledge the simplicity of the beauty of peace.
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History dressed up in the glow of love’s kiss turned grief into beauty.
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Classic romantic love is an emotional attraction between two individuals in which they may share a heightened awareness of mutual adoration. Erotic love, traditionally, has been described as shared sexual attraction.
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The music of revelation announces itself to the reader in somber brooding tones or in melodies light as air and one is invited to dance with the most captivating of partners: poetry.
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While it is unlikely that poetry or art shall eliminate the reality of war in the twenty-first century, it is thrilling to know there remain individuals, and even entire communities, still willing to invest in art and poetry's own uniquely explosive contributions to the great, and small, dramas of human history.
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A man sitting monkey-like on the rooftop of his brain is due the applause such feats earn him.
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Humanity is not without answers or solutions regarding how to liberate itself from scenarios that invariably end with mass exterminations. Tools such as compassion, trust, empathy, love, and ethical discernment are already in our possession. The next sensible step would be to use them.
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Before the thunderous clamor of political debate or war set loose in the world, love insisted on its promise for the possibility of human unity: between men and women, between blacks and whites, northerners and southerners, haves and have-have-nots, self and self.
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The study of history empowers nations and individuals with an ability to avoid errors of the past and lay foundations for victories in the future.
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Here are lips of flame eager to be extinguished by love's liquid sigh.
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Just above our terror, the stars painted this story in perfect silver calligraphy. And our souls, too often abused by ignorance, covered our eyes with mercy.
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