The theater and film, they're like two completely different mediums.

I was trained at a conservatory school, and they usher you into the business by giving you a showcase. I was so lucky that I met with an agent, and he sent me on an audition for a TV pilot, and I happened to book it. It was like complete luck that it happened.

A lot of people kind of want to wait until you're off a show before they book you into a movie.

I was trained in the theater, so I really learned a lot about how to work with the camera, just technically speaking, it's been an amazing learning curve.

I think everybody really responds to the secret society aspect. This idea that you have to remain anonymous, and yet at the same time, you're kind of saving the world.

You can get too heavy on the masculine side of things with all of the action, but then we've got a really nice balance going on when you go home and look at the wives' story lines and what's going on on the home front. I think people really respond to that balance of masculine and feminine.

To any aspiring actor, go and train yourself.

You need to tune your instrument, which is your body and your mind, and your soul.

I think a lot of people feel like they may not get the recognition that they deserve, but that they can still kind of maintain and do good, and there's a kind of quiet satisfaction in not being recognized for stuff.

There's nothing like a good conservatory drama school to really get you ready for the work force.

I never really said I wanted to be a TV star, when I was a kid.