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You've noticed that same joke told by two different people, once works, and the other time doesn't, simply because how the person edits it. The silences, the pauses, what they neglect, what they emphasize - all of this matters.
Abbas Kiarostami
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Abbas Kiarostami
Age: 75 †
Born: 1940
Born: January 1
Died: 2016
Died: January 1
Actor
Cinematographer
Contributing Editor
Film Director
Film Editor
Film Producer
Graphic Designer
Illustrator
Painter
Photographer
Teheran
Simply
Noticed
Doesn
Neglect
Person
Joke
Different
Matters
Time
Jokes
Silences
People
Works
Emphasize
Silence
Edits
Told
Pauses
More quotes by Abbas Kiarostami
I didn't just see myself as a film director here [in Life And Nothing More], but also as an observer of people who had been condemned to death.
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The experience of life teaches us that being like someone in love is more real, because everything is uncertain.
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I have no advice for anyone on how to live.
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The film [Close Up] made itself, to a large extent. The characters involved were very real, I wasn't directing the actors so much as being directed by them. So it was a very particular film.
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This kind of directing, I think, is very similar to being a football coach. You prepare your players and place them in the right places, but once the game is on, there's nothing much you can do - you can smoke a cigarette or get nervous, but you can't do much.
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In my opinion the man looks at the relationship in a more bitter fashion and the woman still holds great hopes.
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Maybe more than a teller, I am a story listener. I really enjoy listening to stories. I remember them and keep them in my mind. All of my films are a collection of small stories that have been told to me.
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This [the earthquake] was a very big influence on me, and the issue of life and death from then on does recur in my films.
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When you take a tree that is rooted in the ground, and transfer it from one place to another, the tree will no longer bear fruit. And if it does, the fruit will not be as good as it was in its original place. This is a rule of nature. I think if I had left my country, I would be the same as the tree.
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The Iranian government as a whole has no relationship with my films. They're not particularly interested, perhaps this kind of cinema is not very interesting to them.
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I only make notes, I don't write dialogues in full. And the notes are very much based on my knowledge of person.
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Children are very strong and independent characters and can come up with more interesting things than Marlon Brando, and it's sometimes very difficult to direct or order them to do something.
Abbas Kiarostami
It's true that the best way of knowing yourself is to put yourself into different situations.
Abbas Kiarostami
All the different nations in the world, despite their differences of appearance and religion and language and way of life, still have one thing in common, and that is what's inside of all of us. If we X-rayed the insides of different human beings, we wouldn't be able to tell from those X-rays what the person's language or background or race is.
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I prefer the countryside to cities. This is also true of my films: I have made more films in rural societies, and villages, than in towns.
Abbas Kiarostami
I spend a lot of time doing carpentry. Sometimes there is nothing that gives me the contentment that sawing a piece of wood does.
Abbas Kiarostami
In my experience as a director, I think there is obviously something of the way men - maybe that's a common point with Shirin - the way men see women in the film, and the way these two characters see each other.
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I think that if you're a digital thinker, you can use a digital camera.
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In the total darkness, poetry is still there, and it is there for you.
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I thought that choosing a non-professional was a condition for me, because it would allow Juliette to have a less-professional way of acting. It would challenge her performance as a professional actress.
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