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My car is my best friend. My office. My home. My location. I have a very intimate sense when I am in a car with someone next to me. We're in the most comfortable seats because we're not facing each other, but sitting side by side.
Abbas Kiarostami
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Abbas Kiarostami
Age: 75 †
Born: 1940
Born: January 1
Died: 2016
Died: January 1
Actor
Cinematographer
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Film Director
Film Editor
Film Producer
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Teheran
Home
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More quotes by Abbas Kiarostami
I really haven't seen The Report in a long time. I don't have a copy, but I'll have to see it again. I think it would be good to put both these men next to each other.
Abbas Kiarostami
It's not so much a question of whether we've shot it through 35mm or digital video what is important is whether the audience accepts it as real.
Abbas Kiarostami
I saw this French woman, this English man in Italy. It was a film [Certified Copy] I knew well, but I had already seen it, and I was familiar with it, and I had no feeling of anxiety or responsibility toward it.
Abbas Kiarostami
I thought that choosing a non-professional was a condition for me, because it would allow Juliette to have a less-professional way of acting. It would challenge her performance as a professional actress.
Abbas Kiarostami
I don't have very complete scripts for my films. I have a general outline and a character in my mind, and I make no notes until I find the character who's in my mind in reality.
Abbas Kiarostami
Cinema seats make people lazy. They expect to be given all the information. But for me, question marks are the punctuation of life.
Abbas Kiarostami
As long as I take the responsibility of the choice, I have to make the choice that is as right as possible.
Abbas Kiarostami
As soon as people enter a theater they must become moron consumers who must be fed information.
Abbas Kiarostami
The fact of having this very new context, this unheard-of way of working, for me was very pleasant. I didn't feel that I was working, that I had any kind of burden to wear, to carry. I really was very happy and very lighthearted during the whole process of making the film [Certified Copy], of shooting it.
Abbas Kiarostami
When I talk to some of the younger filmmakers, they are so worried about their films that, eventually, this state of being worried reflects itself in and helps the final work. Whereas, with projects that are meticulously planned, you look at the end result and it is full of emptiness.
Abbas Kiarostami
Religion works on some people but not on everyone, because it says, 'Stop thinking and accept what I tell you.' That's not valid for people who want to think and reflect.
Abbas Kiarostami
The experience of life teaches us that being like someone in love is more real, because everything is uncertain.
Abbas Kiarostami
The film [Close Up] made itself, to a large extent. The characters involved were very real, I wasn't directing the actors so much as being directed by them. So it was a very particular film.
Abbas Kiarostami
In real life, when someone's partner calls them, they can tell from the first word their partner says what their mood is.
Abbas Kiarostami
This kind of directing, I think, is very similar to being a football coach. You prepare your players and place them in the right places, but once the game is on, there's nothing much you can do - you can smoke a cigarette or get nervous, but you can't do much.
Abbas Kiarostami
Anything I've not experienced I do not look to for a subject. I have to feel it.
Abbas Kiarostami
It's true that the best way of knowing yourself is to put yourself into different situations.
Abbas Kiarostami
The [Iranian] government grapples with more important issues and we can maybe say that these films don't really exist for them. It's not about whether they like it or don't it's just not very important to them.
Abbas Kiarostami
I never reflect or convey that which I have not experienced myself.
Abbas Kiarostami
The only thing that I can do is hold a mirror in front of men and women, in front of the viewer in the theater, to reflect. There is nothing but reflection that I could intend to offer the viewer of the film.
Abbas Kiarostami
