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If we're not going to take full advantage of digital, then 35mm is a better medium. Especially for shooting dramas - I have no problem with 35mm.

Abbas Kiarostami

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Abbas Kiarostami
Age: 75 †
Born: 1940
Born: January 1
Died: 2016
Died: January 1
Actor
Cinematographer
Contributing Editor
Film Director
Film Editor
Film Producer
Graphic Designer
Illustrator
Painter
Photographer
Teheran
Drama
Advantage
Especially
Full
Dramas
Problem
Medium
Better
Mediums
Take
Digital
Going
Shooting

More quotes by Abbas Kiarostami

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I do think that we are sometimes, as directors, guilty of portraying or asking our actors to behave in certain ways that are perhaps not very morally acceptable. I'm not the only one.
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Good cinema is what we can believe and bad cinema is what we can't believe. What you see and believe in is very much what I'm interested in.
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I think being someone in love is so hard to define, so temporary, because retrospectively we often deny the state in which we were in love.
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I really haven't seen The Report in a long time. I don't have a copy, but I'll have to see it again. I think it would be good to put both these men next to each other.
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My films have been progressing towards a certain kind of minimalism, even though it was never intended. Elements which can be eliminated have been eliminated.
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Using non-actors has its own rules and really requires that you allow them to do their own thing.
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I have somewhat lost my enthusiasm in the last years. Mainly because film students using digital video these days have not really produced anything which is more than superficial or simplistic so I have my doubts.
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The digital camera has given me total freedom and a different way of filming.
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The day we run out of petrol is the day Iran will be free.
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I don't ask my students to have studied film or any education in general. What I ask them is to come and sit and tell me a story, and the way they choose it and tell it, for me, the best criteria for whether they are right for making films. There's nothing more important than being able to tell your story orally.
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Close-Up is a very particular film in my oeuvre. It's a film that was made in a very particular way mainly because I didn't really have the time to think about how to go about making the film.
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I think it was [Jean-Luc] Godard who said that life is nothing but a bad copy of film, but then our ambition must be to make better films and better shapes of forms that are given in life.
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Of the hundreds of points to enter and exit that are offered to me, I have to choose the one that I feel is the least wrong, the least fake. It is fake, it is a moment that I choose to erupt the story, but I make it as smooth as I can. What enables me to do it is the skill of filmmaking.
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I'm not sure that my films show the reality of life in Iran we show different aspects of life. Iran is a very extensive and expansive place, and sometimes, even for us who live there, some of the realities are very hard to comprehend.
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I only make notes, I don't write dialogues in full. And the notes are very much based on my knowledge of person.
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I think that if you're a digital thinker, you can use a digital camera.
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This kind of directing, I think, is very similar to being a football coach. You prepare your players and place them in the right places, but once the game is on, there's nothing much you can do - you can smoke a cigarette or get nervous, but you can't do much.
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There were years when Hitchcock was like a master to me, but now I think he's so artificial. I can watch films and say how technically beautiful they are, but I'm not impressed by any technicality.
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People have curiosity, they have intelligence, they have interest in understanding their peers. But producers and directors of cinema have decided that the seats in the theaters have been made to transform people's minds to lazy minds.
Abbas Kiarostami
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We are nothing but a link between our culture and what we can actually produce.
Abbas Kiarostami