Quote

If we're not going to take full advantage of digital, then 35mm is a better medium. Especially for shooting dramas - I have no problem with 35mm.

Abbas Kiarostami

Change background

T
T
T

Change font

TAGS & TOPICS

Abbas Kiarostami
Age: 75 †
Born: 1940
Born: January 1
Died: 2016
Died: January 1
Actor
Cinematographer
Contributing Editor
Film Director
Film Editor
Film Producer
Graphic Designer
Illustrator
Painter
Photographer
Teheran
Advantage
Especially
Full
Dramas
Problem
Medium
Better
Mediums
Take
Digital
Going
Shooting
Drama

More quotes by Abbas Kiarostami

Image
If you are a businessman or a politician in Iran, you can get a visa as quickly as you ask for it.
Abbas Kiarostami
Image
There are certainties in existence, but love is something much harder to define than light and dark, life and death. I think saying you are like someone in love sounds right.
Abbas Kiarostami
Image
Cinema gives you the opportunity to be both a grandparent and a grandchild whereas in life you cannot be both at the same time.
Abbas Kiarostami
Image
I don't generally derive my stories from novels. I try to turn into film things I have felt or experienced.
Abbas Kiarostami
Image
Close-Up has affected later films that I've made.
Abbas Kiarostami
Image
People have curiosity, they have intelligence, they have interest in understanding their peers. But producers and directors of cinema have decided that the seats in the theaters have been made to transform people's minds to lazy minds.
Abbas Kiarostami
Image
The one-word cinema wasn't possible for me anymore. I'd hit a wall, a dead end. Therefore I thought I'd turn back.
Abbas Kiarostami
Image
All the different nations in the world, despite their differences of appearance and religion and language and way of life, still have one thing in common, and that is what's inside of all of us. If we X-rayed the insides of different human beings, we wouldn't be able to tell from those X-rays what the person's language or background or race is.
Abbas Kiarostami
Image
It was a film that I knew, that I had seen, that I was familiar with, but I wasn't anxious about it at any point during the screening. I snoozed twice, and this is something I couldn't have imagined that I would feel detached, as I did with this film [Certified Copy].
Abbas Kiarostami
Image
This was pointed out to me by somebody who referred to the paintings of Rembrandt and his use of light: some elements are highlighted while others are obscured or even pushed back into the dark. And it's something that we do - we bring out elements that we want to emphasise.
Abbas Kiarostami
Image
The starting point and the ending point are nothing but two arbitrary choices. You make them as in soccer games, where they chose that it's 90 minutes, not less and not more. But the choices are the responsibility of the filmmaker. You have to choose to join the story at an arbitrary point, and you leave it at an arbitrary point.
Abbas Kiarostami
Image
We don't look at each other [in the car], but instead do so only when we want to. We're allowed to look around without appearing rude. We have a big screen in front of us and side views. Silence doesn't seem heavy or difficult.
Abbas Kiarostami
Image
I think I really produce my best work in Iran.
Abbas Kiarostami
Image
Directors don't always create, they can also destroy with too many demands.
Abbas Kiarostami
Image
When you take a tree that is rooted in the ground, and transfer it from one place to another, the tree will no longer bear fruit. And if it does, the fruit will not be as good as it was in its original place. This is a rule of nature. I think if I had left my country, I would be the same as the tree.
Abbas Kiarostami
Image
Unfortunately, cinema critics are very few in America, 400-500 people, but there are more critics of Iran.
Abbas Kiarostami
Image
While shooting Ten I was sitting in the backseat, but I didn't interfere. Sometimes, I was following in another car, so I was not even present on the set, because I thought they would work better in my absence.
Abbas Kiarostami
Image
I prefer the films that put their audience to sleep in the theater. Some films have made me doze off in the theater, but the same films have made me stay up at night, wake up thinking about them in the morning, and keep on thinking about them for weeks.
Abbas Kiarostami
Image
I'm not sure that my films show the reality of life in Iran we show different aspects of life. Iran is a very extensive and expansive place, and sometimes, even for us who live there, some of the realities are very hard to comprehend.
Abbas Kiarostami
Image
The experience of life teaches us that being like someone in love is more real, because everything is uncertain.
Abbas Kiarostami