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Close-Up has affected later films that I've made.
Abbas Kiarostami
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Abbas Kiarostami
Age: 75 †
Born: 1940
Born: January 1
Died: 2016
Died: January 1
Actor
Cinematographer
Contributing Editor
Film Director
Film Editor
Film Producer
Graphic Designer
Illustrator
Painter
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Teheran
Made
Affected
Later
Films
Close
Film
More quotes by Abbas Kiarostami
In my experience as a director, I think there is obviously something of the way men - maybe that's a common point with Shirin - the way men see women in the film, and the way these two characters see each other.
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I do believe in [Robert] Bresson's method of creation through omission, not through addition.
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My way of expression is full of complications and mystery because that's my perception of life.
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In my mind, there isn't as much of a distinction between documentary and fiction as there is between a good movie and a bad one.
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We are nothing but a link between our culture and what we can actually produce.
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I have no advice for anyone on how to live.
Abbas Kiarostami
My last experience of film-making was Tickets, a three-episode film in Italy, the third of which is directed by myself. It's not for me to judge whether it's a good film or a bad film, but what I could say is that nobody had a cultural or linguistic issue with what was produced.
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When we start shooting I don't have rehearsals with characters at all. So, rather than pulling them towards myself, I travel closer to them it's very much closer to the real person than anything I try to create. So I give them something but I also take from them.
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The film [Close Up] made itself, to a large extent. The characters involved were very real, I wasn't directing the actors so much as being directed by them. So it was a very particular film.
Abbas Kiarostami
With the RED, I didn't have this impression at all. I felt that it was as heavy as a film camera. Having this great crew, with the DP and his assistants, I found it making as much of an impression as a very big film camera. I didn't relate to it as much. I remember avoiding it during the shooting rather than paying attention to it.
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I had intended to make another film, called Pocket Money, which was to be about children at a school. I was very much intrigued by the story [of Close Up] - it came into my dreams and I was very much influenced by it. So I called my producer and asked that we put aside Pocket Money and start something else, and he agreed.
Abbas Kiarostami
The Iranian government as a whole has no relationship with my films. They're not particularly interested, perhaps this kind of cinema is not very interesting to them.
Abbas Kiarostami
I didn't just see myself as a film director here [in Life And Nothing More], but also as an observer of people who had been condemned to death.
Abbas Kiarostami
I wasn't searching for a common denominator - I started wondering about the challenge of working in other cultures. What I reached was the sudden acknowledgment of the universal aspect of filmmaking.
Abbas Kiarostami
Whether you consider me a master filmmaker or not, I do it with my intuition and my vision, my experience as a storyteller.
Abbas Kiarostami
The day we run out of petrol is the day Iran will be free.
Abbas Kiarostami
A movie is about human beings, about humanity.
Abbas Kiarostami
It was a film that I knew, that I had seen, that I was familiar with, but I wasn't anxious about it at any point during the screening. I snoozed twice, and this is something I couldn't have imagined that I would feel detached, as I did with this film [Certified Copy].
Abbas Kiarostami
People have curiosity, they have intelligence, they have interest in understanding their peers. But producers and directors of cinema have decided that the seats in the theaters have been made to transform people's minds to lazy minds.
Abbas Kiarostami
I've often noticed that we are not able to look at what we have in front of us, unless it's inside a frame.
Abbas Kiarostami