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I did not have a script [of Close Up]. I made notes in the evenings and we filmed during the day over 40 days.I didn't sleep a wink for those 40 nights. I have a picture from the end of the shoot, and in it I have lost all my hair.

Abbas Kiarostami

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Abbas Kiarostami
Age: 75 †
Born: 1940
Born: January 1
Died: 2016
Died: January 1
Actor
Cinematographer
Contributing Editor
Film Director
Film Editor
Film Producer
Graphic Designer
Illustrator
Painter
Photographer
Teheran
Night
Scripts
Didn
Notes
Wink
Ends
Picture
Filmed
Close
Evenings
Made
Hair
Nights
Days
Script
Sleep
Shoot
Lost
Evening

More quotes by Abbas Kiarostami

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It seems that film-makers are being divided between those working in digital and those who are not. I think it's not something predetermined - it all depends on what project we have in mind, and on that basis we choose the medium.
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Having an international voice is not really about whether we speak Persian or any other language.
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My way of expression is full of complications and mystery because that's my perception of life.
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A digital camera does have many advantages and I was a believer that digital video would be a big influence on film-making.
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I have somewhat lost my enthusiasm in the last years. Mainly because film students using digital video these days have not really produced anything which is more than superficial or simplistic so I have my doubts.
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I believe there's only good cinema and bad cinema.
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As long as I take the responsibility of the choice, I have to make the choice that is as right as possible.
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Despite the great advantages of digital video and the great ease of using the medium, still those who use it have first to understand the sensitivities of how to best use the medium.
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I saw this French woman, this English man in Italy. It was a film [Certified Copy] I knew well, but I had already seen it, and I was familiar with it, and I had no feeling of anxiety or responsibility toward it.
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It was a film that I knew, that I had seen, that I was familiar with, but I wasn't anxious about it at any point during the screening. I snoozed twice, and this is something I couldn't have imagined that I would feel detached, as I did with this film [Certified Copy].
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Unfortunately, cinema critics are very few in America, 400-500 people, but there are more critics of Iran.
Abbas Kiarostami
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Children are very strong and independent characters and can come up with more interesting things than Marlon Brando, and it's sometimes very difficult to direct or order them to do something.
Abbas Kiarostami
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I prefer the countryside to cities. This is also true of my films: I have made more films in rural societies, and villages, than in towns.
Abbas Kiarostami
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We are nothing but a link between our culture and what we can actually produce.
Abbas Kiarostami
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Film is very much a universal and common voice, and we can't limit it to one particular culture.
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In order to be universal, you have to be rooted in your own culture.
Abbas Kiarostami
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The digital camera has given me total freedom and a different way of filming.
Abbas Kiarostami
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I think, just as footballers play better at home, maybe film-makers, too, create better at home, even though the rules of football are the same wherever you go.
Abbas Kiarostami
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If we're not going to take full advantage of digital, then 35mm is a better medium. Especially for shooting dramas - I have no problem with 35mm.
Abbas Kiarostami
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This concept that you refer to in Buddhism is something I've been nurtured with through the history of my country for 700, 800 years - Persian poets and philosophers haven't said anything different with regard to experiencing life in the moment, as opposed to the belief of permanence.
Abbas Kiarostami