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I did not have a script [of Close Up]. I made notes in the evenings and we filmed during the day over 40 days.I didn't sleep a wink for those 40 nights. I have a picture from the end of the shoot, and in it I have lost all my hair.
Abbas Kiarostami
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Abbas Kiarostami
Age: 75 †
Born: 1940
Born: January 1
Died: 2016
Died: January 1
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More quotes by Abbas Kiarostami
I never really learned photography.
Abbas Kiarostami
You've noticed that same joke told by two different people, once works, and the other time doesn't, simply because how the person edits it. The silences, the pauses, what they neglect, what they emphasize - all of this matters.
Abbas Kiarostami
It's very true that non-actors feel more comfortable in front of a digital camera, without the lights and the large crowd around them, and we arrive at much more intimate moments with them.
Abbas Kiarostami
I prefer the countryside to cities. This is also true of my films: I have made more films in rural societies, and villages, than in towns.
Abbas Kiarostami
Using non-actors has its own rules and really requires that you allow them to do their own thing.
Abbas Kiarostami
As long as I take the responsibility of the choice, I have to make the choice that is as right as possible.
Abbas Kiarostami
The digital camera has given me total freedom and a different way of filming.
Abbas Kiarostami
I think that if you're a digital thinker, you can use a digital camera.
Abbas Kiarostami
In my mind, there isn't as much of a distinction between documentary and fiction as there is between a good movie and a bad one.
Abbas Kiarostami
I think life is so difficult to catch, it's so furtive, that a copy, a film, can in no way catch it and represent it.
Abbas Kiarostami
This was pointed out to me by somebody who referred to the paintings of Rembrandt and his use of light: some elements are highlighted while others are obscured or even pushed back into the dark. And it's something that we do - we bring out elements that we want to emphasise.
Abbas Kiarostami
If we're not going to take full advantage of digital, then 35mm is a better medium. Especially for shooting dramas - I have no problem with 35mm.
Abbas Kiarostami
Children are very strong and independent characters and can come up with more interesting things than Marlon Brando, and it's sometimes very difficult to direct or order them to do something.
Abbas Kiarostami
It was a film that I knew, that I had seen, that I was familiar with, but I wasn't anxious about it at any point during the screening. I snoozed twice, and this is something I couldn't have imagined that I would feel detached, as I did with this film [Certified Copy].
Abbas Kiarostami
I'm still very grateful to digital cameras in general, but I didn't have this feeling with the RED one.
Abbas Kiarostami
I don't ask my students to have studied film or any education in general. What I ask them is to come and sit and tell me a story, and the way they choose it and tell it, for me, the best criteria for whether they are right for making films. There's nothing more important than being able to tell your story orally.
Abbas Kiarostami
I was mentioning with the digital camera, maybe this new fashion of filmmaking gives a closer look of what life may be like. But it's still nothing but a copy.
Abbas Kiarostami
The [Iranian] government grapples with more important issues and we can maybe say that these films don't really exist for them. It's not about whether they like it or don't it's just not very important to them.
Abbas Kiarostami
The only thing that I can do is hold a mirror in front of men and women, in front of the viewer in the theater, to reflect. There is nothing but reflection that I could intend to offer the viewer of the film.
Abbas Kiarostami
In my experience as a director, I think there is obviously something of the way men - maybe that's a common point with Shirin - the way men see women in the film, and the way these two characters see each other.
Abbas Kiarostami
