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I think being someone in love is so hard to define, so temporary, because retrospectively we often deny the state in which we were in love.

Abbas Kiarostami

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Abbas Kiarostami
Age: 75 †
Born: 1940
Born: January 1
Died: 2016
Died: January 1
Actor
Cinematographer
Contributing Editor
Film Director
Film Editor
Film Producer
Graphic Designer
Illustrator
Painter
Photographer
Teheran
Thinking
Deny
State
Often
Someone
States
Hard
Retrospectively
Love
Temporary
Think
Define

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I can only display what I've been nurtured with, which is this worldview which has become my view. If I displayed anything different from it in my work, I wouldn't deserve this heritage.
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It is a very important film, Life And Nothing More, in that what was filmed was inspired by a journey I had made just three days after an earthquake. And I speak not only of the film itself but also of the experience of being in that place, where only three days before 50,000 people had died.
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I think I'm no different to my friends who are doctors or businessmen or architects - we all started watching films of the golden age together. But whether I'm making films or writing poetry or doing photography, it's very much rooted in my sense of unease. And that's really where everything goes back to.
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I think Woody Allen is Woody Allen, and no matter where he goes he still makes his Woody Allen films.
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I really think that I don't mind people sleeping during my films, because I know that some very good films might prepare you for sleeping or falling asleep or snoozing. It's not to be taken badly at all.
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There are certainties in existence, but love is something much harder to define than light and dark, life and death. I think saying you are like someone in love sounds right.
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I think life is so difficult to catch, it's so furtive, that a copy, a film, can in no way catch it and represent it.
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In my experience as a director, I think there is obviously something of the way men - maybe that's a common point with Shirin - the way men see women in the film, and the way these two characters see each other.
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Religion works on some people but not on everyone, because it says, 'Stop thinking and accept what I tell you.' That's not valid for people who want to think and reflect.
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The experience of life teaches us that being like someone in love is more real, because everything is uncertain.
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In order to be able to cooperate with a child, you have to come down to below their level in order to communicate with them. Actors are also like children.
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A movie is about human beings, about humanity.
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I think, just as footballers play better at home, maybe film-makers, too, create better at home, even though the rules of football are the same wherever you go.
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I really enjoy listening to stories. I remember them and keep them in my mind.
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My way of expression is full of complications and mystery because that's my perception of life.
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Using non-actors has its own rules and really requires that you allow them to do their own thing.
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Directors don't always create, they can also destroy with too many demands.
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The day we run out of petrol is the day Iran will be free.
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I think that if you're a digital thinker, you can use a digital camera.
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