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I was mentioning with the digital camera, maybe this new fashion of filmmaking gives a closer look of what life may be like. But it's still nothing but a copy.

Abbas Kiarostami

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Abbas Kiarostami
Age: 75 †
Born: 1940
Born: January 1
Died: 2016
Died: January 1
Actor
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Teheran
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More quotes by Abbas Kiarostami

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The experience of life teaches us that being like someone in love is more real, because everything is uncertain.
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When I talk to some of the younger filmmakers, they are so worried about their films that, eventually, this state of being worried reflects itself in and helps the final work. Whereas, with projects that are meticulously planned, you look at the end result and it is full of emptiness.
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There are certainties in existence, but love is something much harder to define than light and dark, life and death. I think saying you are like someone in love sounds right.
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In my mind, there isn't as much of a distinction between documentary and fiction as there is between a good movie and a bad one.
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I believe there's only good cinema and bad cinema.
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Cinema seats make people lazy. They expect to be given all the information. But for me, question marks are the punctuation of life.
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I thought that I had been asked every kind of question possible.
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I have somewhat lost my enthusiasm in the last years. Mainly because film students using digital video these days have not really produced anything which is more than superficial or simplistic so I have my doubts.
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I think that in life, being is nothing but an illusion. If we acknowledge that and accept the fact that we are in between states, that we are moving, and this movement is the nature of our lives, and we stop having aspirations for being in a definite state, we know life better and are able to enjoy it better.
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As soon as people enter a theater they must become moron consumers who must be fed information.
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Close-Up is a very particular film in my oeuvre. It's a film that was made in a very particular way mainly because I didn't really have the time to think about how to go about making the film.
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I think that if you're a digital thinker, you can use a digital camera.
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It's true that the best way of knowing yourself is to put yourself into different situations.
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The one-word cinema wasn't possible for me anymore. I'd hit a wall, a dead end. Therefore I thought I'd turn back.
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Religion works on some people but not on everyone, because it says, 'Stop thinking and accept what I tell you.' That's not valid for people who want to think and reflect.
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This [the earthquake] was a very big influence on me, and the issue of life and death from then on does recur in my films.
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I do think that we are sometimes, as directors, guilty of portraying or asking our actors to behave in certain ways that are perhaps not very morally acceptable. I'm not the only one.
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Film is very much a universal and common voice, and we can't limit it to one particular culture.
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In the total darkness, poetry is still there, and it is there for you.
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My last experience of film-making was Tickets, a three-episode film in Italy, the third of which is directed by myself. It's not for me to judge whether it's a good film or a bad film, but what I could say is that nobody had a cultural or linguistic issue with what was produced.
Abbas Kiarostami