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I think life is so difficult to catch, it's so furtive, that a copy, a film, can in no way catch it and represent it.

Abbas Kiarostami

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Abbas Kiarostami
Age: 75 †
Born: 1940
Born: January 1
Died: 2016
Died: January 1
Actor
Cinematographer
Contributing Editor
Film Director
Film Editor
Film Producer
Graphic Designer
Illustrator
Painter
Photographer
Teheran
Think
Furtive
Thinking
Copy
Life
Copies
Represent
Catch
Difficult
Film
Way

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We are nothing but a link between our culture and what we can actually produce.
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In real life, when someone's partner calls them, they can tell from the first word their partner says what their mood is.
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I really think that I don't mind people sleeping during my films, because I know that some very good films might prepare you for sleeping or falling asleep or snoozing. It's not to be taken badly at all.
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I think that if you're a digital thinker, you can use a digital camera.
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I prefer the films that put their audience to sleep in the theater. Some films have made me doze off in the theater, but the same films have made me stay up at night, wake up thinking about them in the morning, and keep on thinking about them for weeks.
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My way of expression is full of complications and mystery because that's my perception of life.
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In my opinion the man looks at the relationship in a more bitter fashion and the woman still holds great hopes.
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With the RED, I didn't have this impression at all. I felt that it was as heavy as a film camera. Having this great crew, with the DP and his assistants, I found it making as much of an impression as a very big film camera. I didn't relate to it as much. I remember avoiding it during the shooting rather than paying attention to it.
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Religion works on some people but not on everyone, because it says, 'Stop thinking and accept what I tell you.' That's not valid for people who want to think and reflect.
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I didn't just see myself as a film director here [in Life And Nothing More], but also as an observer of people who had been condemned to death.
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I think Woody Allen is Woody Allen, and no matter where he goes he still makes his Woody Allen films.
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My films have been progressing towards a certain kind of minimalism, even though it was never intended. Elements which can be eliminated have been eliminated.
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If you are a businessman or a politician in Iran, you can get a visa as quickly as you ask for it.
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I never reflect or convey that which I have not experienced myself.
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The experience of life teaches us that being like someone in love is more real, because everything is uncertain.
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I think, just as footballers play better at home, maybe film-makers, too, create better at home, even though the rules of football are the same wherever you go.
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There were years when Hitchcock was like a master to me, but now I think he's so artificial. I can watch films and say how technically beautiful they are, but I'm not impressed by any technicality.
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Close-Up has affected later films that I've made.
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I often say to my students in workshops that if they are trying to find literary inspiration, they should not go and read novels, because novels are more appropriate for series. Where as they should read short stories - that's the right format for you to be able to actually display the narrative in a film.
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I did not have a script [of Close Up]. I made notes in the evenings and we filmed during the day over 40 days.I didn't sleep a wink for those 40 nights. I have a picture from the end of the shoot, and in it I have lost all my hair.
Abbas Kiarostami