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I saw this French woman, this English man in Italy. It was a film [Certified Copy] I knew well, but I had already seen it, and I was familiar with it, and I had no feeling of anxiety or responsibility toward it.

Abbas Kiarostami

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Abbas Kiarostami
Age: 75 †
Born: 1940
Born: January 1
Died: 2016
Died: January 1
Actor
Cinematographer
Contributing Editor
Film Director
Film Editor
Film Producer
Graphic Designer
Illustrator
Painter
Photographer
Teheran
Wells
Already
Copy
Well
Knew
Copies
Men
Seen
French
Responsibility
Familiar
Feeling
Anxiety
Woman
English
Feelings
Toward
Certified
Film
Saws
Italy

More quotes by Abbas Kiarostami

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In order to be able to cooperate with a child, you have to come down to below their level in order to communicate with them. Actors are also like children.
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Having an international voice is not really about whether we speak Persian or any other language.
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I do believe that a film like Ten could never have been made with a 35mm camera. The first part of the film lasts 17 minutes, and by the end of that part, the kid has totally forgotten the camera.
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The day we run out of petrol is the day Iran will be free.
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Cinema gives you the opportunity to be both a grandparent and a grandchild whereas in life you cannot be both at the same time.
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People have curiosity, they have intelligence, they have interest in understanding their peers. But producers and directors of cinema have decided that the seats in the theaters have been made to transform people's minds to lazy minds.
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Therefore, when you see the end result, it's difficult to see who's the director, me or them. Ultimately, everything belongs to the actors - we just manage the situation.
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I think Woody Allen is Woody Allen, and no matter where he goes he still makes his Woody Allen films.
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As long as I take the responsibility of the choice, I have to make the choice that is as right as possible.
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The Iranian government as a whole has no relationship with my films. They're not particularly interested, perhaps this kind of cinema is not very interesting to them.
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I think that in life, being is nothing but an illusion. If we acknowledge that and accept the fact that we are in between states, that we are moving, and this movement is the nature of our lives, and we stop having aspirations for being in a definite state, we know life better and are able to enjoy it better.
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In my mind, there isn't as much of a distinction between documentary and fiction as there is between a good movie and a bad one.
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We are nothing but a link between our culture and what we can actually produce.
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With the RED, I didn't have this impression at all. I felt that it was as heavy as a film camera. Having this great crew, with the DP and his assistants, I found it making as much of an impression as a very big film camera. I didn't relate to it as much. I remember avoiding it during the shooting rather than paying attention to it.
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I never reflect or convey that which I have not experienced myself.
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This [the earthquake] was a very big influence on me, and the issue of life and death from then on does recur in my films.
Abbas Kiarostami
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I spend a lot of time doing carpentry. Sometimes there is nothing that gives me the contentment that sawing a piece of wood does.
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Unfortunately, cinema critics are very few in America, 400-500 people, but there are more critics of Iran.
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If I do continue to have the opportunity to work in Iran, that's very much what I'd prefer to do.
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The starting point and the ending point are nothing but two arbitrary choices. You make them as in soccer games, where they chose that it's 90 minutes, not less and not more. But the choices are the responsibility of the filmmaker. You have to choose to join the story at an arbitrary point, and you leave it at an arbitrary point.
Abbas Kiarostami