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The only thing that I can do is hold a mirror in front of men and women, in front of the viewer in the theater, to reflect. There is nothing but reflection that I could intend to offer the viewer of the film.
Abbas Kiarostami
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Abbas Kiarostami
Age: 75 †
Born: 1940
Born: January 1
Died: 2016
Died: January 1
Actor
Cinematographer
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Film Director
Film Editor
Film Producer
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Teheran
Nothing
Reflection
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Men
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Intend
Front
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Reflect
Hold
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Film
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Women
Mirrors
More quotes by Abbas Kiarostami
I prefer the countryside to cities. This is also true of my films: I have made more films in rural societies, and villages, than in towns.
Abbas Kiarostami
We are nothing but a link between our culture and what we can actually produce.
Abbas Kiarostami
Anything I've not experienced I do not look to for a subject. I have to feel it.
Abbas Kiarostami
I do believe that a film like Ten could never have been made with a 35mm camera. The first part of the film lasts 17 minutes, and by the end of that part, the kid has totally forgotten the camera.
Abbas Kiarostami
When we start shooting I don't have rehearsals with characters at all. So, rather than pulling them towards myself, I travel closer to them it's very much closer to the real person than anything I try to create. So I give them something but I also take from them.
Abbas Kiarostami
The experience of life teaches us that being like someone in love is more real, because everything is uncertain.
Abbas Kiarostami
As soon as people enter a theater they must become moron consumers who must be fed information.
Abbas Kiarostami
All the different nations in the world, despite their differences of appearance and religion and language and way of life, still have one thing in common, and that is what's inside of all of us. If we X-rayed the insides of different human beings, we wouldn't be able to tell from those X-rays what the person's language or background or race is.
Abbas Kiarostami
Children are very strong and independent characters and can come up with more interesting things than Marlon Brando, and it's sometimes very difficult to direct or order them to do something.
Abbas Kiarostami
Everybody knows that I am not usually patient enough to actually sit down and watch one of my own films from the beginning to the end - I never do.
Abbas Kiarostami
In the total darkness, poetry is still there, and it is there for you.
Abbas Kiarostami
I think it was [Jean-Luc] Godard who said that life is nothing but a bad copy of film, but then our ambition must be to make better films and better shapes of forms that are given in life.
Abbas Kiarostami
I don't have very complete scripts for my films. I have a general outline and a character in my mind, and I make no notes until I find the character who's in my mind in reality.
Abbas Kiarostami
The fact of having this very new context, this unheard-of way of working, for me was very pleasant. I didn't feel that I was working, that I had any kind of burden to wear, to carry. I really was very happy and very lighthearted during the whole process of making the film [Certified Copy], of shooting it.
Abbas Kiarostami
My films have been progressing towards a certain kind of minimalism, even though it was never intended. Elements which can be eliminated have been eliminated.
Abbas Kiarostami
While shooting Ten I was sitting in the backseat, but I didn't interfere. Sometimes, I was following in another car, so I was not even present on the set, because I thought they would work better in my absence.
Abbas Kiarostami
I don't ask my students to have studied film or any education in general. What I ask them is to come and sit and tell me a story, and the way they choose it and tell it, for me, the best criteria for whether they are right for making films. There's nothing more important than being able to tell your story orally.
Abbas Kiarostami
I don't like reverse-angle shots - I find them very fake and very untruthful to the viewer.
Abbas Kiarostami
Film is very much a universal and common voice, and we can't limit it to one particular culture.
Abbas Kiarostami
I thought that choosing a non-professional was a condition for me, because it would allow Juliette to have a less-professional way of acting. It would challenge her performance as a professional actress.
Abbas Kiarostami
