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The one-word cinema wasn't possible for me anymore. I'd hit a wall, a dead end. Therefore I thought I'd turn back.
Abbas Kiarostami
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Abbas Kiarostami
Age: 75 †
Born: 1940
Born: January 1
Died: 2016
Died: January 1
Actor
Cinematographer
Contributing Editor
Film Director
Film Editor
Film Producer
Graphic Designer
Illustrator
Painter
Photographer
Teheran
Wasn
Turn
Possible
Word
Cinema
Turns
Anymore
Ends
Therefore
Thought
Wall
Back
Dead
More quotes by Abbas Kiarostami
A work of art doesn't exist outside the perception of the audience.
Abbas Kiarostami
It seems that film-makers are being divided between those working in digital and those who are not. I think it's not something predetermined - it all depends on what project we have in mind, and on that basis we choose the medium.
Abbas Kiarostami
When I talk to some of the younger filmmakers, they are so worried about their films that, eventually, this state of being worried reflects itself in and helps the final work. Whereas, with projects that are meticulously planned, you look at the end result and it is full of emptiness.
Abbas Kiarostami
Anything I've not experienced I do not look to for a subject. I have to feel it.
Abbas Kiarostami
We don't look at each other [in the car], but instead do so only when we want to. We're allowed to look around without appearing rude. We have a big screen in front of us and side views. Silence doesn't seem heavy or difficult.
Abbas Kiarostami
I don't ask my students to have studied film or any education in general. What I ask them is to come and sit and tell me a story, and the way they choose it and tell it, for me, the best criteria for whether they are right for making films. There's nothing more important than being able to tell your story orally.
Abbas Kiarostami
In real life, when someone's partner calls them, they can tell from the first word their partner says what their mood is.
Abbas Kiarostami
All the different nations in the world, despite their differences of appearance and religion and language and way of life, still have one thing in common, and that is what's inside of all of us. If we X-rayed the insides of different human beings, we wouldn't be able to tell from those X-rays what the person's language or background or race is.
Abbas Kiarostami
The Iranian government as a whole has no relationship with my films. They're not particularly interested, perhaps this kind of cinema is not very interesting to them.
Abbas Kiarostami
While shooting Ten I was sitting in the backseat, but I didn't interfere. Sometimes, I was following in another car, so I was not even present on the set, because I thought they would work better in my absence.
Abbas Kiarostami
In my experience as a director, I think there is obviously something of the way men - maybe that's a common point with Shirin - the way men see women in the film, and the way these two characters see each other.
Abbas Kiarostami
Unfortunately, cinema critics are very few in America, 400-500 people, but there are more critics of Iran.
Abbas Kiarostami
Of the hundreds of points to enter and exit that are offered to me, I have to choose the one that I feel is the least wrong, the least fake. It is fake, it is a moment that I choose to erupt the story, but I make it as smooth as I can. What enables me to do it is the skill of filmmaking.
Abbas Kiarostami
Whether you consider me a master filmmaker or not, I do it with my intuition and my vision, my experience as a storyteller.
Abbas Kiarostami
There are certainties in existence, but love is something much harder to define than light and dark, life and death. I think saying you are like someone in love sounds right.
Abbas Kiarostami
If I do continue to have the opportunity to work in Iran, that's very much what I'd prefer to do.
Abbas Kiarostami
I thought that I had been asked every kind of question possible.
Abbas Kiarostami
Despite the great advantages of digital video and the great ease of using the medium, still those who use it have first to understand the sensitivities of how to best use the medium.
Abbas Kiarostami
If we're not going to take full advantage of digital, then 35mm is a better medium. Especially for shooting dramas - I have no problem with 35mm.
Abbas Kiarostami
My last experience of film-making was Tickets, a three-episode film in Italy, the third of which is directed by myself. It's not for me to judge whether it's a good film or a bad film, but what I could say is that nobody had a cultural or linguistic issue with what was produced.
Abbas Kiarostami
