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The one-word cinema wasn't possible for me anymore. I'd hit a wall, a dead end. Therefore I thought I'd turn back.
Abbas Kiarostami
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Abbas Kiarostami
Age: 75 †
Born: 1940
Born: January 1
Died: 2016
Died: January 1
Actor
Cinematographer
Contributing Editor
Film Director
Film Editor
Film Producer
Graphic Designer
Illustrator
Painter
Photographer
Teheran
Word
Cinema
Turns
Anymore
Ends
Therefore
Thought
Wall
Back
Dead
Wasn
Turn
Possible
More quotes by Abbas Kiarostami
I'm still very grateful to digital cameras in general, but I didn't have this feeling with the RED one.
Abbas Kiarostami
This was pointed out to me by somebody who referred to the paintings of Rembrandt and his use of light: some elements are highlighted while others are obscured or even pushed back into the dark. And it's something that we do - we bring out elements that we want to emphasise.
Abbas Kiarostami
I didn't just see myself as a film director here [in Life And Nothing More], but also as an observer of people who had been condemned to death.
Abbas Kiarostami
We don't look at each other [in the car], but instead do so only when we want to. We're allowed to look around without appearing rude. We have a big screen in front of us and side views. Silence doesn't seem heavy or difficult.
Abbas Kiarostami
This kind of directing, I think, is very similar to being a football coach. You prepare your players and place them in the right places, but once the game is on, there's nothing much you can do - you can smoke a cigarette or get nervous, but you can't do much.
Abbas Kiarostami
Despite the great advantages of digital video and the great ease of using the medium, still those who use it have first to understand the sensitivities of how to best use the medium.
Abbas Kiarostami
If we're not going to take full advantage of digital, then 35mm is a better medium. Especially for shooting dramas - I have no problem with 35mm.
Abbas Kiarostami
When I find the character, I try to spend time with them and get to know them very well. Therefore my notes are not from the character that I had in my mind before, but are instead based on the people I've met in real life.
Abbas Kiarostami
I think that in life, being is nothing but an illusion. If we acknowledge that and accept the fact that we are in between states, that we are moving, and this movement is the nature of our lives, and we stop having aspirations for being in a definite state, we know life better and are able to enjoy it better.
Abbas Kiarostami
I thought that I had been asked every kind of question possible.
Abbas Kiarostami
I often say to my students in workshops that if they are trying to find literary inspiration, they should not go and read novels, because novels are more appropriate for series. Where as they should read short stories - that's the right format for you to be able to actually display the narrative in a film.
Abbas Kiarostami
I believe there's only good cinema and bad cinema.
Abbas Kiarostami
It's true that the best way of knowing yourself is to put yourself into different situations.
Abbas Kiarostami
I did not have a script [of Close Up]. I made notes in the evenings and we filmed during the day over 40 days.I didn't sleep a wink for those 40 nights. I have a picture from the end of the shoot, and in it I have lost all my hair.
Abbas Kiarostami
A movie is about human beings, about humanity.
Abbas Kiarostami
As long as I take the responsibility of the choice, I have to make the choice that is as right as possible.
Abbas Kiarostami
The fact of having this very new context, this unheard-of way of working, for me was very pleasant. I didn't feel that I was working, that I had any kind of burden to wear, to carry. I really was very happy and very lighthearted during the whole process of making the film [Certified Copy], of shooting it.
Abbas Kiarostami
I do believe in [Robert] Bresson's method of creation through omission, not through addition.
Abbas Kiarostami
I think life is so difficult to catch, it's so furtive, that a copy, a film, can in no way catch it and represent it.
Abbas Kiarostami
A work of art doesn't exist outside the perception of the audience.
Abbas Kiarostami