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The one-word cinema wasn't possible for me anymore. I'd hit a wall, a dead end. Therefore I thought I'd turn back.
Abbas Kiarostami
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Abbas Kiarostami
Age: 75 †
Born: 1940
Born: January 1
Died: 2016
Died: January 1
Actor
Cinematographer
Contributing Editor
Film Director
Film Editor
Film Producer
Graphic Designer
Illustrator
Painter
Photographer
Teheran
Ends
Therefore
Thought
Wall
Back
Dead
Wasn
Turn
Possible
Word
Cinema
Turns
Anymore
More quotes by Abbas Kiarostami
In the total darkness, poetry is still there, and it is there for you.
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In my opinion the man looks at the relationship in a more bitter fashion and the woman still holds great hopes.
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We don't look at each other [in the car], but instead do so only when we want to. We're allowed to look around without appearing rude. We have a big screen in front of us and side views. Silence doesn't seem heavy or difficult.
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I do think that we are sometimes, as directors, guilty of portraying or asking our actors to behave in certain ways that are perhaps not very morally acceptable. I'm not the only one.
Abbas Kiarostami
I am still very surprised that I managed to make that film [Close Up]. When I actually look back on that film, I really feel that I was not the director but instead just a member of the audience.
Abbas Kiarostami
It's true that the best way of knowing yourself is to put yourself into different situations.
Abbas Kiarostami
In real life, when someone's partner calls them, they can tell from the first word their partner says what their mood is.
Abbas Kiarostami
In my films, I try to give people as little information as possible, which is still much more than what they get in real life. I feel that they should be grateful for the little bit of information I give them.
Abbas Kiarostami
As soon as people enter a theater they must become moron consumers who must be fed information.
Abbas Kiarostami
Whether you consider me a master filmmaker or not, I do it with my intuition and my vision, my experience as a storyteller.
Abbas Kiarostami
Maybe more than a teller, I am a story listener. I really enjoy listening to stories. I remember them and keep them in my mind. All of my films are a collection of small stories that have been told to me.
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In my experience as a director, I think there is obviously something of the way men - maybe that's a common point with Shirin - the way men see women in the film, and the way these two characters see each other.
Abbas Kiarostami
I have somewhat lost my enthusiasm in the last years. Mainly because film students using digital video these days have not really produced anything which is more than superficial or simplistic so I have my doubts.
Abbas Kiarostami
It's not so much a question of whether we've shot it through 35mm or digital video what is important is whether the audience accepts it as real.
Abbas Kiarostami
In order to be able to cooperate with a child, you have to come down to below their level in order to communicate with them. Actors are also like children.
Abbas Kiarostami
As film-makers, it is very important for us to find common ground between cultures, and maybe that's less the case for politicians who benefit more from finding the conflicts and differences between us.
Abbas Kiarostami
When I find the character, I try to spend time with them and get to know them very well. Therefore my notes are not from the character that I had in my mind before, but are instead based on the people I've met in real life.
Abbas Kiarostami
If I do continue to have the opportunity to work in Iran, that's very much what I'd prefer to do.
Abbas Kiarostami
This was pointed out to me by somebody who referred to the paintings of Rembrandt and his use of light: some elements are highlighted while others are obscured or even pushed back into the dark. And it's something that we do - we bring out elements that we want to emphasise.
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I prefer the countryside to cities. This is also true of my films: I have made more films in rural societies, and villages, than in towns.
Abbas Kiarostami