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A work of art doesn't exist outside the perception of the audience.

Abbas Kiarostami

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Abbas Kiarostami
Age: 75 †
Born: 1940
Born: January 1
Died: 2016
Died: January 1
Actor
Cinematographer
Contributing Editor
Film Director
Film Editor
Film Producer
Graphic Designer
Illustrator
Painter
Photographer
Teheran
Exist
Outside
Audience
Doesn
Art
Work
Perception

More quotes by Abbas Kiarostami

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With the RED, I didn't have this impression at all. I felt that it was as heavy as a film camera. Having this great crew, with the DP and his assistants, I found it making as much of an impression as a very big film camera. I didn't relate to it as much. I remember avoiding it during the shooting rather than paying attention to it.
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In my opinion the man looks at the relationship in a more bitter fashion and the woman still holds great hopes.
Abbas Kiarostami
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This [the earthquake] was a very big influence on me, and the issue of life and death from then on does recur in my films.
Abbas Kiarostami
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In the total darkness, poetry is still there, and it is there for you.
Abbas Kiarostami
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There are certainties in existence, but love is something much harder to define than light and dark, life and death. I think saying you are like someone in love sounds right.
Abbas Kiarostami
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I was mentioning with the digital camera, maybe this new fashion of filmmaking gives a closer look of what life may be like. But it's still nothing but a copy.
Abbas Kiarostami
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I prefer the countryside to cities. This is also true of my films: I have made more films in rural societies, and villages, than in towns.
Abbas Kiarostami
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I never reflect or convey that which I have not experienced myself.
Abbas Kiarostami
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I often say to my students in workshops that if they are trying to find literary inspiration, they should not go and read novels, because novels are more appropriate for series. Where as they should read short stories - that's the right format for you to be able to actually display the narrative in a film.
Abbas Kiarostami
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We don't look at each other [in the car], but instead do so only when we want to. We're allowed to look around without appearing rude. We have a big screen in front of us and side views. Silence doesn't seem heavy or difficult.
Abbas Kiarostami
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I'm not sure that my films show the reality of life in Iran we show different aspects of life. Iran is a very extensive and expansive place, and sometimes, even for us who live there, some of the realities are very hard to comprehend.
Abbas Kiarostami
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I thought that I had been asked every kind of question possible.
Abbas Kiarostami
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As soon as people enter a theater they must become moron consumers who must be fed information.
Abbas Kiarostami
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I think being someone in love is so hard to define, so temporary, because retrospectively we often deny the state in which we were in love.
Abbas Kiarostami
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Film is very much a universal and common voice, and we can't limit it to one particular culture.
Abbas Kiarostami
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I only make notes, I don't write dialogues in full. And the notes are very much based on my knowledge of person.
Abbas Kiarostami
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A movie is about human beings, about humanity.
Abbas Kiarostami
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I am still very surprised that I managed to make that film [Close Up]. When I actually look back on that film, I really feel that I was not the director but instead just a member of the audience.
Abbas Kiarostami
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In my films, I try to give people as little information as possible, which is still much more than what they get in real life. I feel that they should be grateful for the little bit of information I give them.
Abbas Kiarostami
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It's very true that non-actors feel more comfortable in front of a digital camera, without the lights and the large crowd around them, and we arrive at much more intimate moments with them.
Abbas Kiarostami