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I've often noticed that we are not able to look at what we have in front of us, unless it's inside a frame.

Abbas Kiarostami

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Abbas Kiarostami
Age: 75 †
Born: 1940
Born: January 1
Died: 2016
Died: January 1
Actor
Cinematographer
Contributing Editor
Film Director
Film Editor
Film Producer
Graphic Designer
Illustrator
Painter
Photographer
Teheran
Looks
Noticed
Fronts
Front
Unless
Inside
Often
Able
Look
Frame

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We are nothing but a link between our culture and what we can actually produce.
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I thought that I had been asked every kind of question possible.
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Good cinema is what we can believe and bad cinema is what we can't believe. What you see and believe in is very much what I'm interested in.
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The fact of having this very new context, this unheard-of way of working, for me was very pleasant. I didn't feel that I was working, that I had any kind of burden to wear, to carry. I really was very happy and very lighthearted during the whole process of making the film [Certified Copy], of shooting it.
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I thought that choosing a non-professional was a condition for me, because it would allow Juliette to have a less-professional way of acting. It would challenge her performance as a professional actress.
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I do think that we are sometimes, as directors, guilty of portraying or asking our actors to behave in certain ways that are perhaps not very morally acceptable. I'm not the only one.
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It's not so much a question of whether we've shot it through 35mm or digital video what is important is whether the audience accepts it as real.
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It's true that the best way of knowing yourself is to put yourself into different situations.
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In real life, when someone's partner calls them, they can tell from the first word their partner says what their mood is.
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I'm not sure that my films show the reality of life in Iran we show different aspects of life. Iran is a very extensive and expansive place, and sometimes, even for us who live there, some of the realities are very hard to comprehend.
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I think violence can never be justified. At the same time, nobody’s culture or beliefs should be insulted, that’s not something I can accept either. But I cannot justify or accept any violence at all.
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There were years when Hitchcock was like a master to me, but now I think he's so artificial. I can watch films and say how technically beautiful they are, but I'm not impressed by any technicality.
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There are certainties in existence, but love is something much harder to define than light and dark, life and death. I think saying you are like someone in love sounds right.
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I spend a lot of time doing carpentry. Sometimes there is nothing that gives me the contentment that sawing a piece of wood does.
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In my opinion the man looks at the relationship in a more bitter fashion and the woman still holds great hopes.
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A digital camera does have many advantages and I was a believer that digital video would be a big influence on film-making.
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I would be too selfish if I said everyone should see my movies more than once. To say that would mean I'm just marketing my work!
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In order to be able to cooperate with a child, you have to come down to below their level in order to communicate with them. Actors are also like children.
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Close-Up has affected later films that I've made.
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In my mind, there isn't as much of a distinction between documentary and fiction as there is between a good movie and a bad one.
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