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I've often noticed that we are not able to look at what we have in front of us, unless it's inside a frame.
Abbas Kiarostami
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Abbas Kiarostami
Age: 75 †
Born: 1940
Born: January 1
Died: 2016
Died: January 1
Actor
Cinematographer
Contributing Editor
Film Director
Film Editor
Film Producer
Graphic Designer
Illustrator
Painter
Photographer
Teheran
Look
Frame
Looks
Noticed
Fronts
Front
Unless
Inside
Often
Able
More quotes by Abbas Kiarostami
Despite the great advantages of digital video and the great ease of using the medium, still those who use it have first to understand the sensitivities of how to best use the medium.
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I think Woody Allen is Woody Allen, and no matter where he goes he still makes his Woody Allen films.
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I have no advice for anyone on how to live.
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I saw this French woman, this English man in Italy. It was a film [Certified Copy] I knew well, but I had already seen it, and I was familiar with it, and I had no feeling of anxiety or responsibility toward it.
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I don't generally derive my stories from novels. I try to turn into film things I have felt or experienced.
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If you are a businessman or a politician in Iran, you can get a visa as quickly as you ask for it.
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When you take a tree that is rooted in the ground, and transfer it from one place to another, the tree will no longer bear fruit. And if it does, the fruit will not be as good as it was in its original place. This is a rule of nature. I think if I had left my country, I would be the same as the tree.
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Directors don't always create, they can also destroy with too many demands.
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I'm still very grateful to digital cameras in general, but I didn't have this feeling with the RED one.
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I think life is so difficult to catch, it's so furtive, that a copy, a film, can in no way catch it and represent it.
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Using non-actors has its own rules and really requires that you allow them to do their own thing.
Abbas Kiarostami
While shooting Ten I was sitting in the backseat, but I didn't interfere. Sometimes, I was following in another car, so I was not even present on the set, because I thought they would work better in my absence.
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With the RED, I didn't have this impression at all. I felt that it was as heavy as a film camera. Having this great crew, with the DP and his assistants, I found it making as much of an impression as a very big film camera. I didn't relate to it as much. I remember avoiding it during the shooting rather than paying attention to it.
Abbas Kiarostami
In my films, I try to give people as little information as possible, which is still much more than what they get in real life. I feel that they should be grateful for the little bit of information I give them.
Abbas Kiarostami
I prefer the films that put their audience to sleep in the theater. Some films have made me doze off in the theater, but the same films have made me stay up at night, wake up thinking about them in the morning, and keep on thinking about them for weeks.
Abbas Kiarostami
I never really learned photography.
Abbas Kiarostami
It's not so much a question of whether we've shot it through 35mm or digital video what is important is whether the audience accepts it as real.
Abbas Kiarostami
I had intended to make another film, called Pocket Money, which was to be about children at a school. I was very much intrigued by the story [of Close Up] - it came into my dreams and I was very much influenced by it. So I called my producer and asked that we put aside Pocket Money and start something else, and he agreed.
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A work of art doesn't exist outside the perception of the audience.
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Cinema gives you the opportunity to be both a grandparent and a grandchild whereas in life you cannot be both at the same time.
Abbas Kiarostami