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As a dramatist, you're looking for points of friction.

Aaron Sorkin

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Aaron Sorkin
Age: 63
Born: 1961
Born: June 9
Actor
Film Actor
Film Director
Film Producer
Playwright
Scenographer
Screenwriter
Showrunner
Television Producer
Writer
New York City
New York
Aaron Benjamin Sorkin
Friction
Points
Looking
Dramatist

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To use a basketball metaphor, West Wing cast was a group that liked to pass as much as they liked to shoot.
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The hardest thing for me is getting started. If I'm writing a script, really 90 per cent of it would be just walking around, climbing the walls, just trying to put the idea together. Then the final 10 per cent would be writing it.
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Government should be a place where people can come together, and no one gets left behind. No one…gets left behind. An instrument of good.
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Tell me what you think and then tell me what the really smart person in the room who disagrees with you thinks.
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Certainly, last year we did an episode about the census and sampling versus a direct statistic. You just said the word 'census', and people fall asleep.
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My resting pulse as a writer is writing idealistically and romantically aspirationally. My taste lies in quixotic heroes.
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I love writing but hate starting. The page is awfully white and it says, You may have fooled some of the people some of the time but those days are over, giftless. I'm not your agent and I'm not your mommy, I'm a white piece of paper, you wanna dance with me? and I really, really don't. I'll go peaceable-like.
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People who don't know anything tend to make up fake rules, the real rules being considerably more difficult to learn.
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Rule of storytelling: When a character is shoved against a wall, shove them against a wall harder.
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Writers are opposite of athletes, they get better with age
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Josh: So, Toby, it’s election night. What do you say about a country that goes out of its way to protect even those citizens that try to destroy it? Toby: God bless America.
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It seems to me that more and more we've come to expect less and less from each other, and I think that should change.
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Honestly, I don't try to guess at what most people want. I don't think I'd guess right, and I just think that that's not a good recipe for storytelling. I try to write what I like, what I think my friends would like.
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As an audience member, I like the sound of something that's been written - I like it to sound written. And then, of course, you can't do it without the musicians who can play it.
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Film doesn't have to worry. Movies are awesome. There's no war going on, theaters aren't going to lose.
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Toby: All right. It couldn't have gone far, right? Sam: No. Toby: Somewhere in this building...is our talent.
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You know, one of the things I like about this world, or at least I like about the way we're presenting this world, is these issues are terribly complicated - not nearly as black and white as we're led to believe.
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Humans know when it's not a good story. Unless you do this for a living, you may not know exactly why you don't like a story, but you can't fool an audience ever. They know when you have it and they know when you don't.
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You're going to fall down, but the world doesn't care how many times you fall down, as long as it's one fewer than the numbers of times you get back up.
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I would love for people to think that I am as quick, clever, smart and heroic as the characters that I write, but those characters are characters.
Aaron Sorkin