Quote

I don’t believe there are two sides to every argument. I think the facts are the center. And watching the news abandon the facts in favor of “fairness” is what’s troubling to me.

Aaron Sorkin

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Aaron Sorkin
Age: 63
Born: 1961
Born: June 9
Actor
Film Actor
Film Director
Film Producer
Playwright
Scenographer
Screenwriter
Showrunner
Television Producer
Writer
New York City
New York
Aaron Benjamin Sorkin
Facts
Favor
Two
Abandon
Every
Favors
Believe
Center
Think
Argument
Thinking
Watching
News
Troubling
Sides
Fairness

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Just to clarify the division of labor on the show, I write the show and Alan [Poul] does everything else.
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With a television series, there's a hard deadline, and so you have to write even when you're not writing well.
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It wouldn't kill you to watch a film or pick up a newspaper once in a while.
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As an audience member, I like the sound of something that's been written - I like it to sound written. And then, of course, you can't do it without the musicians who can play it.
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I'll get cast occasionally as sort of the jerk version of myself, and I have fun doing that. But it's really better for everyone if I stay behind the camera.
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I love writing but hate starting. The page is awfully white and it says, You may have fooled some of the people some of the time but those days are over, giftless. I'm not your agent and I'm not your mommy, I'm a white piece of paper, you wanna dance with me? and I really, really don't. I'll go peaceable-like.
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Good writers borrow from other writers. Great writers steal from them outright.
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You're going to fall down, but the world doesn't care how many times you fall down, as long as it's one fewer than the numbers of times you get back up.
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What's interesting, is that I've found that the more accomplished a director is, the more secure they are in giving direction that sounds incredibly unsophisticated.
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Helen Mirren and Meryl Streep can play with the boys but there just aren't that many tour-de-force roles out there for women.
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I consider plot a necessary intrusion on what I really want to do, which is write snappy dialogue. But when I'm writing, the way the words sound is as important to me as what they mean.
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A friend is somebody who says the same things to your face that they would say if you're not in the room.
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It's populated by people who, by and large, have terrific communication skills. Every day is an extraordinary day. For me, it was just a great area for storytelling.
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One of the biggest challenges in the past for me in working on the networks was that audiences have grown accustomed to television being something that keeps you company-background music, something that you have on while you're flipping through a magazine, cooking dinner, talking on the phone, putting the kids to bed.
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Honestly, I don't try to guess at what most people want. I don't think I'd guess right, and I just think that that's not a good recipe for storytelling. I try to write what I like, what I think my friends would like.
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And a wheat thin the size of Lake Tahoe.
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Tell me what you think and then tell me what the really smart person in the room who disagrees with you thinks.
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When I feel that something I'm writing is going well, everything in my life is good and the things in my life that aren't good are completely manageable. If it's not going well, Miss America could be standing there in a swimsuit handing me a nobel price and I wouldn't be happy about it
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My preference would have been to not go back on the air after 9\11, at all until the time felt right but that wasn't an option.
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There's that process of writing it - then you come out of your room into the sunlight, and you now have to complete the circuit and make the connection finally with the audience.
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