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If one were asked to name one musician who came closest to composing without human flaw, I suppose general consensus would choose Johann Sebastian Bach.

Aaron Copland

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Aaron Copland
Age: 90 †
Born: 1900
Born: November 14
Died: 1990
Died: December 2
Choreographer
Composer
Conductor
Film Score Composer
Jazz Musician
Music Critic
Music Pedagogue
Musicologist
Pianist
Brooklyn
New York
Would
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Johann
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Sebastian
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Bach

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If you want to know about the Sixties, play the music of The Beatles.
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A great symphony is a man-made Mississippi down which we irresistibly flow from the instant of our leave-taking to a long forseen destination.
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To stop the flow of music would be like the stopping of time itself, incredible and inconceivable.
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Music that is born complex is not inherently better or worse than music that is born simple.
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So long as the human spirit thrives on this planet, music in some living form will accompany and sustain it and give it expressive meaning.
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The melody is generally what the piece is all about.
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When I speak of the gifted listener, I am thinking of the nonmusician primarily, of the listener who intends to retain his amateur status. It is the thought of just such a listener that excites the composer in me.
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The main thing is to be satisfied with your work yourself. It's useless to have an audience happy if you are not happy.
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Most people use music as a couch they want to be pillowed on it, relaxed and consoled for the stress of daily living. But serious music was never meant to be soporific.
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Listening to the Fifth Symphony of Ralph Vaughan Williams is like staring at a cow for 45 minutes.
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There is something about music that keeps its distance even at the moment that it engulfs us. It is at the same time outside and away from us and inside and part of us. In one sense it dwarfs us, and in another we master it. We are led on and on, and yet in some strange way we never lose control.
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The greatest moments of the human spirit may be deduced from the greatest moments in music.
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I don't compose. I assemble materials.
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You compose because you want to somehow summarize in some permanent form your most basic feelings about being alive, to set down some sort of permanent statement about the way it feels to live now, today.
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You may feel depressed, but it can't be so depressing that you can't move. No, I would say that people create in moments when they are elated about expressing their depression!
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Someone once asked me... whether I waited for inspiration. My answer was: Every day!
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This whole problem can be stated quite simply by asking, “Is there a meaning to music?” My answer to that would be, “Yes.” And “Can you state in so many words what the meaning is?” My answer to that would be, “No.”
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A melody is not merely something you can hum.
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Mozart tapped the source from which all music flows, expressing himself with a spontaneity and refinement and breathtaking rightness.
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If a literary man puts together two words about music, one of them will be wrong.
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